1 00:00:06,600 --> 00:00:09,800 Captions made possible by HOME BOX OFFICE 2 00:00:09,833 --> 00:00:12,933 A DIVISION OF TIME WARNER ENTERTAINMENT COMPANY, L.P. 3 00:00:19,200 --> 00:00:20,967 CHERYL, COME HERE FOR A SECOND. 4 00:00:21,000 --> 00:00:23,100 WHAT ? 5 00:00:25,233 --> 00:00:27,233 LOOK AT THIS. 6 00:00:27,267 --> 00:00:30,233 WHAT'S GOING ON ? 7 00:00:30,267 --> 00:00:31,233 YEAH, WHAT'S GOING ON ? 8 00:00:31,267 --> 00:00:32,367 WHAT IS GOING ON ? 9 00:00:32,400 --> 00:00:34,367 IT'S JUST MATERIAL. 10 00:00:34,400 --> 00:00:35,367 YEAH, I KNOW. 11 00:00:35,400 --> 00:00:37,600 BUT, REALLY, LOOK AT THESE PANT. 12 00:00:37,633 --> 00:00:38,967 I'VE SEEN PANTS BUNCH UP BEFORE. 13 00:00:39,000 --> 00:00:41,100 I HAVE NEVER SEEN A BUNCH-UP LIKE THIS IN MY LIFE. 14 00:00:41,133 --> 00:00:42,167 I HAVE. 15 00:00:42,200 --> 00:00:44,433 THIS IS LIKE A FIVE INCH BUNCH-UP I GOT HERE. 16 00:00:44,467 --> 00:00:45,800 WELL, YOU DON'T HAVE TO PLAY WITH IT. 17 00:00:45,833 --> 00:00:46,900 IS IT A BAD THING ? 18 00:00:46,933 --> 00:00:48,933 MAYBE IT'S NOT SUCH A BAD THING, YOU KNOW ? 19 00:00:48,967 --> 00:00:50,333 BECAUSE YOU WANT PEOPLE TO THINK 20 00:00:50,367 --> 00:00:51,633 THAT YOU CONSTANTLY HAVE AN ERECTION ? 21 00:00:51,667 --> 00:00:54,400 IS IT A BAD THING FOR ME TO WALK AROUND LIKE THAT ? 22 00:00:54,433 --> 00:00:55,400 YEAH, IT IS. 23 00:00:55,433 --> 00:00:56,400 I GOT A TENT. 24 00:00:56,433 --> 00:00:57,400 IT'S A BIG ONE. 25 00:00:57,433 --> 00:00:58,767 HEY, UM, 26 00:00:58,800 --> 00:01:01,633 YOU WANT TO GO TO THAT DUSTIN HOFFMAN MOVIE TONIGHT ? 27 00:01:01,667 --> 00:01:02,900 IT'S MONDAY. 28 00:01:02,933 --> 00:01:04,700 WHAT DO I DO ON MONDAY NIGHTS ? 29 00:01:04,733 --> 00:01:06,567 I DON'T KNOW, WHAT ? YOU TAKE A BATH ? 30 00:01:06,600 --> 00:01:08,067 YOGA. 31 00:01:08,067 --> 00:01:10,067 YOU DON'T HAVE TO DO IT EVERY MONDAY. 32 00:01:10,100 --> 00:01:11,800 YES, I DO. 33 00:01:11,833 --> 00:01:13,733 I DON'T HAVE ANYBODY TO GO WITH. 34 00:01:13,767 --> 00:01:16,500 GO BY YOURSELF. 35 00:01:16,533 --> 00:01:18,067 MAYBE I'LL CALL RICHARD LEWIS. 36 00:01:18,067 --> 00:01:19,167 CALL RICHARD LEWIS. 37 00:01:19,200 --> 00:01:21,467 RICHIE BOY ! 38 00:01:21,500 --> 00:01:22,967 WHAT ARE YOU DOING ? 39 00:01:23,067 --> 00:01:25,633 WELL, I WAS THINKING ABOUT GOING TO SEE THAT, UH, 40 00:01:25,667 --> 00:01:28,400 DUSTIN HOFFMAN MOVIE. 41 00:01:28,433 --> 00:01:29,633 YOU'RE KIDDING ? 42 00:01:29,667 --> 00:01:32,233 YEAH, AT THE CREST. 43 00:01:32,267 --> 00:01:35,300 YEAH, OKAY, I'LL-- 44 00:01:35,333 --> 00:01:37,767 SURE, NO, I DON'T CARE, NO, THAT'S FINE. 45 00:01:37,800 --> 00:01:40,500 9:00. 46 00:01:40,533 --> 00:01:42,300 OKAY. 47 00:01:42,333 --> 00:01:44,133 ALRIGHT, I'LL SEE YOU LATER, PROBABLY. 48 00:01:44,167 --> 00:01:45,867 I'M NOT SURE IF I'M GOING STILL. 49 00:01:45,900 --> 00:01:47,900 OTHERWISE, I'LL SEE YOU ON SATURDAY NIGHT. 50 00:01:47,933 --> 00:01:49,367 ALRIGHT, BYE. 51 00:01:49,400 --> 00:01:52,500 SO, IS HE GOING ? 52 00:01:52,533 --> 00:01:55,767 YEAH, HE'S GOING, BUT, UM, 53 00:01:55,800 --> 00:01:57,433 YOU KNOW, HE'S GOT A DATE. 54 00:01:57,467 --> 00:01:58,967 IS THIS HIS NEW GIRL ? 55 00:01:59,067 --> 00:02:01,767 YEAH, YOU KNOW WE'RE HAVING DINNER WITH THEM ON SATURDAY. 56 00:02:01,800 --> 00:02:03,767 RIGHT, WHAT IS SHE LIKE ? 57 00:02:03,800 --> 00:02:04,800 I DON'T KNOW, I'VE NEVER MET HER. 58 00:02:04,833 --> 00:02:06,367 OH. 59 00:02:06,400 --> 00:02:07,800 HE COULD'VE INVITED ME TO GO ALONG WITH HIM. 60 00:02:07,833 --> 00:02:09,233 I DON'T KNOW WHAT THE BIG DEAL IS. 61 00:02:09,267 --> 00:02:10,567 HE'S GOING TO THE SAME MOVIE-- 62 00:02:10,600 --> 00:02:12,333 YOU JUST SAID HE HAD A DATE. 63 00:02:12,367 --> 00:02:13,800 HE HAS A DATE ! 64 00:02:13,833 --> 00:02:15,400 WELL, SO WHAT ? 65 00:02:15,433 --> 00:02:17,900 LARRY, YOU DON'T ASK SOMEBODY TO GO TO THE MOVIES 66 00:02:17,933 --> 00:02:19,100 WHEN YOU HAVE A DATE. 67 00:02:19,133 --> 00:02:22,267 ( phone ) 68 00:02:22,300 --> 00:02:23,933 HERE. 69 00:02:25,167 --> 00:02:27,467 HELLO ? 70 00:02:27,500 --> 00:02:28,633 HEY, NANCY. 71 00:02:28,667 --> 00:02:31,333 OH, JUST HANGING AROUND, TALKING TO LARRY. 72 00:02:31,367 --> 00:02:33,433 WHAT ARE YOU DOING ? 73 00:02:33,467 --> 00:02:35,067 OH, REALLY ? 74 00:02:35,067 --> 00:02:37,833 YOU KNOW WHAT ? YOU SHOULD GO TO THE MOVIES WITH LARRY. 75 00:02:37,867 --> 00:02:38,833 YEAH. 76 00:02:38,867 --> 00:02:41,100 HE'S GOING TO THAT, UH... 77 00:02:41,133 --> 00:02:43,267 THAT DUSTIN HOFFMAN MOVIE. 78 00:02:43,300 --> 00:02:45,200 YEAH, YEAH, NO, HE WOULD LOVE TO GO WITH YOU. 79 00:02:45,233 --> 00:02:47,667 THIS IS PERFECT, HOLD ON. 80 00:02:47,700 --> 00:02:49,467 SHE WANTS TO GO. 81 00:02:49,500 --> 00:02:53,067 SHE WANTS TO GO. 82 00:02:53,067 --> 00:02:55,067 HELLO ? 83 00:02:58,167 --> 00:03:01,267 ( dialing ) 84 00:03:01,300 --> 00:03:03,700 ( phone ringing ) 85 00:03:03,733 --> 00:03:04,733 ( male ) Hello ? 86 00:03:04,767 --> 00:03:06,100 HEY, JEFF ! 87 00:03:06,133 --> 00:03:07,100 Hey, how you doing ? 88 00:03:07,133 --> 00:03:08,933 I CAN'T BELIEVE I GOT YOU IN YOUR CAR. 89 00:03:08,967 --> 00:03:11,067 I'm your manager, I'm always available. 90 00:03:11,100 --> 00:03:12,800 I LOVE THAT. 91 00:03:12,833 --> 00:03:14,100 Well, there you go, what's going on ? 92 00:03:14,133 --> 00:03:15,567 NOTHING, I'M GOING TO THE MOVIES. 93 00:03:15,600 --> 00:03:17,133 Who you going with ? 94 00:03:17,167 --> 00:03:19,067 MY WIFE TELLS HER FRIEND THAT I'M LOOKING FOR SOMEBODY 95 00:03:19,100 --> 00:03:20,700 TO GO TO THE MOVIES WITH. 96 00:03:20,733 --> 00:03:22,467 SO, NOW I'M GOING TO THE MOVIES WITH MY WIFE'S FRIEND, 97 00:03:22,500 --> 00:03:24,167 WHO I FIND REALLY ANNOYING. 98 00:03:24,200 --> 00:03:25,633 Forget about all that tonight. 99 00:03:25,667 --> 00:03:27,067 You wanna play golf this weekend ? 100 00:03:27,067 --> 00:03:29,200 I DON'T KNOW, I'LL HAVE TO ASK HITLER. 101 00:03:29,233 --> 00:03:31,067 ( male ) Hitler ?( fe) Hitler ? 102 00:03:31,067 --> 00:03:32,967 ( female ) Who's he talking about ? 103 00:03:33,067 --> 00:03:35,600 HEY, WHO'S IN YOUR CAR ? 104 00:03:35,633 --> 00:03:37,733 ( Jeff ) Just my parents, they're in town. 105 00:03:37,767 --> 00:03:39,733 WELL, GET ME OFF THE SPEAKER PHONE, PLEASE ?! 106 00:03:39,767 --> 00:03:41,200 Hold on. 107 00:03:41,233 --> 00:03:42,367 Now you're off the speaker phone. 108 00:03:42,400 --> 00:03:43,667 WHAT'S THE MATTER WITH YOU ?! 109 00:03:43,700 --> 00:03:45,300 I THOUGHT I WAS HAVING A PRIVATE CONVERSATION ! 110 00:03:45,333 --> 00:03:47,300 I DIDN'T KNOW ANYBODY ELSE WAS IN YOUR CAR ! 111 00:03:47,333 --> 00:03:48,300 Hold on one second. 112 00:03:48,333 --> 00:03:51,067 Relax back there, relax ! 113 00:03:51,100 --> 00:03:52,100 Hello. 114 00:03:52,133 --> 00:03:53,100 OH, FORGET IT. 115 00:03:53,133 --> 00:03:54,733 I'LL TALK TO YOU TOMORROW. 116 00:03:54,767 --> 00:03:56,733 Alright, call me tomorrow, bye. 117 00:03:56,767 --> 00:03:58,167 GOODBYE. 118 00:04:10,800 --> 00:04:12,233 EXCUSE ME. 119 00:04:18,100 --> 00:04:19,167 IS THAT A PROBLEM FOR YOU ? 120 00:04:19,200 --> 00:04:20,233 EXCUSE ME. 121 00:04:20,267 --> 00:04:21,700 YEAH, THAT'S EXACTLY RIGHT. 122 00:04:21,733 --> 00:04:23,233 COULD YOU BE A LITTLE BIT NICER ABOUT IT AND JUST GO BY ? 123 00:04:23,267 --> 00:04:25,767 YOU MAKE THIS BIG SIGH, I'M JUST TRYING TO GET BY. 124 00:04:25,800 --> 00:04:27,433 I'M SITTING HERE, AND YOU COULD ENTER THE OTHER WAY, PLEASE ? 125 00:04:27,467 --> 00:04:28,767 COULD YOU JUST MOVE YOUR LEGS ? 126 00:04:28,800 --> 00:04:30,067 WHAT ARE YOU DOING ? ARE YOU LOOKING AT MY BREASTS ? 127 00:04:30,067 --> 00:04:31,400 YOU'RE LOOKING AT MY BREASTS. 128 00:04:31,433 --> 00:04:33,700 I'M NOT LOOKING AT YOUR BREASTS, I'M TRYING TO GET TO MY SEAT. 129 00:04:33,733 --> 00:04:34,900 HE'S LOOKING AT MY BREASTS. 130 00:04:34,933 --> 00:04:36,533 YEAH, YEAH, YOU AND YOUR SPECIAL BREASTS. 131 00:04:36,567 --> 00:04:37,933 JUST EXCUSE ME, PLEASE ? 132 00:04:37,967 --> 00:04:40,100 PLEASE, JUST GO BY... WITHOUT STEPPING ON MY FOOT. 133 00:04:40,133 --> 00:04:42,367 YOU WEAR THAT DRESS 'CAUSE YOU WANT PEOPLE TO LOOK AT YOUR SHOES, RIGHT ? 134 00:04:42,400 --> 00:04:43,367 IS THAT IT ? 135 00:04:43,400 --> 00:04:44,733 PRICK ! 136 00:04:48,133 --> 00:04:50,233 CAN YOU BELIEVE THAT ? DID YOU HEAR THAT ? 137 00:04:50,267 --> 00:04:51,233 I DID. 138 00:04:51,267 --> 00:04:52,433 JERK. 139 00:04:52,467 --> 00:04:53,700 I HATE HER. 140 00:04:53,733 --> 00:04:54,900 WHAT A SICK FUCK. 141 00:04:54,933 --> 00:04:58,667 I HATE HER, MAN. 142 00:04:58,700 --> 00:05:01,333 SHE DOESN'T EVEN MOVE HER KNEES TO LET SOMEBODY IN ? 143 00:05:01,367 --> 00:05:03,767 SHE'S SITTING ON THE AISLE, 144 00:05:03,800 --> 00:05:06,267 SHE DOESN'T EXPECT SOMEBODY TO COME IN ? 145 00:05:06,300 --> 00:05:08,867 OH, I'M SO SORRY, YOU OKAY ? 146 00:05:08,900 --> 00:05:11,900 YOU ALRIGHT ? YOU GOT REALLY UPSET, DIDN'T YOU ? 147 00:05:11,933 --> 00:05:14,467 WELL, DON'T WORRY, IT'S OVER NOW. 148 00:05:38,667 --> 00:05:41,100 OH, SHIT, THERE SHE IS. 149 00:05:41,133 --> 00:05:42,567 YO, D ! 150 00:05:42,600 --> 00:05:44,267 YOU CAME ! 151 00:05:44,300 --> 00:05:45,500 THIS IS ONE OF MY BEST FRIENDS. 152 00:05:45,533 --> 00:05:46,667 THIS IS LARRY DAVID. 153 00:05:46,700 --> 00:05:49,267 NICE TO MEET YOU. 154 00:05:49,300 --> 00:05:50,433 THIS IS SOFIA. 155 00:05:50,467 --> 00:05:51,567 AND, UH... 156 00:05:51,600 --> 00:05:52,567 NANCY. 157 00:05:52,600 --> 00:05:53,567 NANCY ? 158 00:05:53,600 --> 00:05:55,733 I'M A HUGE FAN OF YOURS. 159 00:05:55,767 --> 00:05:57,067 YOU'RE SO FUNNY. 160 00:05:57,067 --> 00:05:58,167 WELL, YOU KNOW... 161 00:05:58,200 --> 00:06:01,400 ONLY ON DEEPLY RELIGIOUS HOLIDAYS. 162 00:06:01,433 --> 00:06:02,400 DID YOU LIKE THE FILM ? 163 00:06:02,433 --> 00:06:03,467 YEAH, NOT BAD. 164 00:06:03,500 --> 00:06:04,467 OH, IT WAS GREAT. 165 00:06:04,500 --> 00:06:05,467 IT WAS FABULOUS. 166 00:06:05,500 --> 00:06:06,467 IT WAS GREAT. 167 00:06:06,500 --> 00:06:07,567 WHY DON'T WE GO, YOU KNOW, 168 00:06:07,600 --> 00:06:09,467 LET'S GET A LITTLE CAPPUCCINO AND SOME PIZZA. 169 00:06:09,500 --> 00:06:11,367 ON ME, ON ME ! 170 00:06:11,400 --> 00:06:13,167 IT'S TOO LATE FOR CAPPUCCINO. 171 00:06:13,200 --> 00:06:17,467 I'LL BE UP 'TIL 5:00 IN THE MORNING IF I HAVE A CUP OF COFFEE NOW. 172 00:06:17,500 --> 00:06:18,633 DID YOU EVER HEAR THE WORD, WHAT IS IT, DECAF ? 173 00:06:18,667 --> 00:06:19,833 DECAF DOESN'T WORK THAT WELL. 174 00:06:19,867 --> 00:06:22,167 THAT'LL KEEP ME UP 'TIL, YOU KNOW, TWO. 175 00:06:22,200 --> 00:06:26,067 I GET THE DISTINCT FEELING THAT I'M, LIKE, HIMMLER'S GHOST. 176 00:06:28,633 --> 00:06:30,667 IT'S LATE ANYWAY, I'M GONNA GO HOME. 177 00:06:30,700 --> 00:06:32,567 WHAT ABOUT DINNER ? 178 00:06:32,600 --> 00:06:34,400 ARE WE STILL ON FOR DINNER SATURDAY ? 179 00:06:34,433 --> 00:06:36,667 WE'RE GOING OUT WITH THE DAVID'S SATURDAY NIGHT. 180 00:06:36,700 --> 00:06:38,067 YEAH. 181 00:06:38,067 --> 00:06:39,067 WE'RE GONNA MEET HIS WIFE. 182 00:06:39,067 --> 00:06:40,267 OH. 183 00:06:40,300 --> 00:06:41,733 WE'RE GONNA GO OUT AND... 184 00:06:41,767 --> 00:06:44,267 LET'S MAKE IT A LEISURELY DINNER, IF YOU DON'T MIND. 185 00:06:44,300 --> 00:06:45,767 WHAT DOES THAT MEAN ? LEISURELY ? 186 00:06:45,800 --> 00:06:47,633 WELL, SOMEWHERE BETWEEN TWO AND 20 HOURS. 187 00:06:47,667 --> 00:06:48,767 I DON'T KNOW. 188 00:06:48,800 --> 00:06:50,167 I DON'T KNOW WHAT THAT MEANS, LEISURELY. 189 00:06:50,200 --> 00:06:51,500 I LOVE YOU, NICE TO MEET YOU. 190 00:06:51,533 --> 00:06:53,500 HOPE I SEE YOU AGAIN. 191 00:06:53,533 --> 00:06:55,567 ALRIGHT, I'LL SEE YOU SATURDAY. 192 00:06:55,600 --> 00:06:56,600 YOU SURE EVERYTHING'S ALRIGHT ? 193 00:06:56,633 --> 00:06:57,967 YEAH. 194 00:06:58,067 --> 00:06:59,467 ALRIGHT. 195 00:07:09,967 --> 00:07:11,700 HEY ! HEY ! 196 00:07:11,733 --> 00:07:12,800 HOW WAS THE MOVIE ? 197 00:07:12,833 --> 00:07:15,233 OH, NOT BAD. 198 00:07:15,267 --> 00:07:18,167 SO, NOT QUITE SURE HOW TO TELL YOU THIS, 199 00:07:18,200 --> 00:07:22,600 BUT I THINK YOUR FRIEND NANCY 200 00:07:22,633 --> 00:07:24,867 THINKS SHE GOT ME AROUSED IN THE MOVIE. 201 00:07:24,900 --> 00:07:28,067 WHY WOULD SHE THINK THAT ? 202 00:07:28,100 --> 00:07:31,067 BECAUSE OF THE TENT IN THE PANTS, AND SHE LOOKED DOWN. 203 00:07:31,067 --> 00:07:32,067 NO. 204 00:07:32,067 --> 00:07:33,067 YEAH. 205 00:07:33,067 --> 00:07:34,067 NO. 206 00:07:34,067 --> 00:07:35,133 YEAH. 207 00:07:35,167 --> 00:07:37,567 SHE THOUGHT THAT THERE WAS SOME GARBAGE THERE. 208 00:07:37,600 --> 00:07:39,533 SHE LOOKED OVER 209 00:07:39,567 --> 00:07:40,600 AND SHE LOOKED AT YOUR CROTCH ? 210 00:07:40,633 --> 00:07:41,600 SHE LOOKED AT IT. 211 00:07:41,633 --> 00:07:42,600 SHE LOOKED AT IT. 212 00:07:42,633 --> 00:07:43,600 SHE LOOKED DOWN. 213 00:07:43,633 --> 00:07:44,733 WHAT WAS HER REACTION ? 214 00:07:47,567 --> 00:07:48,600 LIKE IT WAS AWKWARD. 215 00:07:48,633 --> 00:07:50,267 THERE WAS A LITTLE TWINKLE, YEAH. 216 00:07:50,300 --> 00:07:52,267 YOU'RE SURE THAT SHE LOOKED OVER 217 00:07:52,300 --> 00:07:54,200 AND THOUGHT THAT YOU WERE EXCITED ? 218 00:07:54,233 --> 00:07:55,233 90% SURE. 219 00:07:55,267 --> 00:07:57,467 CAN'T BE 100% SURE, I'M 90% SURE. 220 00:07:57,500 --> 00:08:01,767 THAT'S REALLY WEIRD. 221 00:08:01,800 --> 00:08:03,067 IT'S VERY CREEPY. 222 00:08:03,100 --> 00:08:04,500 I TOLD YOU ABOUT THESE PANTS ! 223 00:08:04,533 --> 00:08:05,867 I KNOW, IT'S JUST MATERIAL. 224 00:08:05,900 --> 00:08:07,667 IT'S OBVIOUS-- 225 00:08:07,700 --> 00:08:09,100 IT'S NOT OBVIOUS ! 226 00:08:09,133 --> 00:08:11,767 LOOK, LOOK ! 227 00:08:11,800 --> 00:08:14,100 SO, SHE DIDN'T SAY ANYTHING TO YOU ABOUT IT ? 228 00:08:14,133 --> 00:08:15,100 YOU DIDN'T SAY ANYTHING-- 229 00:08:15,133 --> 00:08:17,567 NO, THERE WAS NO TIME, THE MOVIE STARTED. 230 00:08:17,600 --> 00:08:19,067 AND YOU WEREN'T. 231 00:08:19,100 --> 00:08:20,233 WHAT ? 232 00:08:20,267 --> 00:08:22,767 YOU WEREN AROUSED. 233 00:08:22,800 --> 00:08:23,800 NO, LOOK AT THIS ! 234 00:08:23,833 --> 00:08:24,800 I'M JUST MAKING SURE. 235 00:08:24,833 --> 00:08:25,900 I TOLD YOU ABOUT THESE PANTS ! 236 00:08:25,933 --> 00:08:28,200 BUT YOU DIDN'T BELIEVE ME, YOU SCOFFED. 237 00:08:28,233 --> 00:08:30,867 BECAUSE ANY IDIOT COULD TELL THAT WAS JUST MATERIAL. 238 00:08:30,900 --> 00:08:32,400 SHE'S YOUR FRIEND. 239 00:08:32,433 --> 00:08:35,533 WELL... 240 00:08:35,567 --> 00:08:38,300 MAYBE I'LL CALL HER. 241 00:08:38,333 --> 00:08:40,067 NO, NO, NO. 242 00:08:40,067 --> 00:08:42,333 NO, DON'T DO THAT, THAT'S CRAZY. 243 00:08:42,367 --> 00:08:45,833 OH, BY THE WAY, I'VE GOT SOME MORE NEWS, TOO. 244 00:08:45,867 --> 00:08:48,067 YOU KNOW, IN CASE THIS WASN'T ENOUGH FOR YOU. 245 00:08:48,067 --> 00:08:49,833 WE'RE NOT GOING OUT TO DINNER WITH RICHARD LEWIS 246 00:08:49,867 --> 00:08:51,333 AND HIS GIRLFRIEND ON SATURDAY NIGHT. 247 00:08:51,367 --> 00:08:52,333 THAT'S OUT. 248 00:08:52,367 --> 00:08:54,267 WHY ? 249 00:08:54,300 --> 00:08:57,433 UM, I GOT IN A FIGHT WITH HIS GIRLFRIEND... 250 00:08:57,467 --> 00:09:00,567 BEFORE THE MOVIE STARTED. 251 00:09:00,600 --> 00:09:02,400 LARRY, WHY ? 252 00:09:02,433 --> 00:09:04,100 HOW IN THE WORLD COULD YOU GET IN A FIGHT WITH RICHARD'S-- 253 00:09:04,133 --> 00:09:05,400 IT WASN'T MY FAULT. 254 00:09:05,433 --> 00:09:07,767 I WAS TRYING TO GET TO MY SEAT AND SHE WOULDN'T LET ME GO, 255 00:09:07,800 --> 00:09:10,533 AND, WE GOT-- HE WASN'T THERE. 256 00:09:10,567 --> 00:09:13,133 I'LL TELL YOU ABOUT IT, I JUST HAVE TO GO TO THE BATHROOM. 257 00:09:13,167 --> 00:09:16,700 OH, UM, JEFF CALLED AND LEFT A MESSAGE ON THE MACHINE. 258 00:09:16,733 --> 00:09:19,233 AND HE SAID THAT HE'S SORRY. 259 00:09:21,567 --> 00:09:22,933 WHAT DOES THAT MEAN ? 260 00:09:22,967 --> 00:09:24,200 I DON'T KNOW. 261 00:09:24,233 --> 00:09:26,100 IF HE LEAVES A MESSAGE SAYING HE'S SORRY, 262 00:09:26,133 --> 00:09:27,100 YOU DON'T KNOW WHAT THAT MEANS ? 263 00:09:27,133 --> 00:09:29,067 HE'S SORRY ABOUT WHAT HAPPENED ? 264 00:09:29,067 --> 00:09:31,733 YEAH, LIKE YOU KNEW, YOU WOULD KNOW WHAT THAT MESSAGE MEANT. 265 00:09:31,767 --> 00:09:33,167 WHAT HAPPENED ? 266 00:09:33,200 --> 00:09:34,567 THAT'S WEIRD, I HAVE NO IDEA. 267 00:09:34,600 --> 00:09:35,767 YOU HAVE NO IDEA WHAT HAPPENED ? 268 00:09:35,800 --> 00:09:36,767 NO. 269 00:09:36,800 --> 00:09:38,067 HE WOULD JUST LEAVE A MESSAGE SAYING-- 270 00:09:38,100 --> 00:09:39,100 I'M THINKING ABOUT IT. 271 00:09:39,133 --> 00:09:40,800 I DON'T EVEN KNOW WHAT HE'S TALKING ABOUT. 272 00:09:40,833 --> 00:09:42,200 I'LL TALK TO HIM TOMORROW. 273 00:09:44,567 --> 00:09:45,700 STRANGE NIGHT, HUH ? 274 00:09:45,733 --> 00:09:46,967 YEAH, VERY STRANGE. 275 00:09:51,400 --> 00:09:54,867 * OH DE OH 276 00:09:54,900 --> 00:09:59,067 * OH DE OH... 277 00:09:59,067 --> 00:10:01,967 HELLO ? YEAH. 278 00:10:02,000 --> 00:10:05,700 UM, DO YOU KNOW HOW MUCH LONGER HE'S GONNA BE ? 279 00:10:05,733 --> 00:10:07,333 OKAY. 280 00:10:08,367 --> 00:10:11,167 SO, IT WAS REALLY UNCOOL 281 00:10:11,200 --> 00:10:12,733 TO JUST LEAVE THAT MESSAGE, "I'M SORRY", ON MY MACHINE, 282 00:10:12,767 --> 00:10:13,900 'CAUSE MY WIFE... 283 00:10:13,933 --> 00:10:16,367 YOU KNOW, SHE ASKED ME, "WHAT IS HE SORRY ABOUT ?" 284 00:10:16,400 --> 00:10:17,800 AND I HAD NO ANSWER. 285 00:10:17,833 --> 00:10:19,300 OH, I'M SORRY. 286 00:10:19,333 --> 00:10:20,900 I'M NOT GONNA SAY THAT I CALLED HER "HITLER", 287 00:10:20,933 --> 00:10:23,200 AND YOUR PARENTS HEARD IT IN THE CAR. 288 00:10:23,233 --> 00:10:24,200 NO. 289 00:10:24,233 --> 00:10:25,933 HELLO ? 290 00:10:25,967 --> 00:10:27,567 OKAY, YOU KNOW WHAT ? I'M JUST GONNA CALL BACK. 291 00:10:27,600 --> 00:10:28,833 OKAY ? 292 00:10:28,867 --> 00:10:32,100 AND THE THING IS, SHE'S GONNA ASK ME AGAIN. 293 00:10:32,133 --> 00:10:35,333 WELL, WE'LL THINK OF SOMETHING. 294 00:10:35,367 --> 00:10:37,467 WHAT ARE YOU DOIN', WHAT ARE YOU WRITING ? 295 00:10:37,500 --> 00:10:40,200 I'M WRITING KATHY GRIFFIN A LETTER OF APOLOGY. 296 00:10:40,233 --> 00:10:42,133 WHY ? WHAT DID YOU DO ? 297 00:10:42,167 --> 00:10:43,567 WE DID NOTHING TO EACH OTHER, 298 00:10:43,600 --> 00:10:46,067 BUT JUST EVERY WEEK I END UP WRITING HER AN APOLOGY LETTER. 299 00:10:46,100 --> 00:10:49,000 WHAT A JOB YOU HAVE. 300 00:10:49,033 --> 00:10:50,167 YOU HAVE TO WRITE PEOPLE LETTERS ? 301 00:10:50,200 --> 00:10:51,167 I KNOW. 302 00:10:51,200 --> 00:10:52,167 IT'S RIDICULOUS. 303 00:10:52,200 --> 00:10:53,500 IT'S CRAZY. 304 00:10:53,533 --> 00:10:54,500 KATHY GRIFFIN'S THE ONLY ONE WHO DOESN'T UNDERSTAND. 305 00:10:54,533 --> 00:10:57,067 WHAT IF KATHY GRIFFIN CALLED YOU UP 306 00:10:57,100 --> 00:10:59,467 AND SAID THAT SHE WANTED ME TO WRITE A PILOT FOR HER, 307 00:10:59,500 --> 00:11:01,433 AND YOU SAID, 308 00:11:01,467 --> 00:11:03,167 NO, I WASN'T AVAILABLE, WITHOUT CONSULTING ME. 309 00:11:03,200 --> 00:11:04,400 MM-HMM. 310 00:11:04,433 --> 00:11:07,267 IF MY WIFE EVER ASKS ME AGAIN, WHICH I'M SURE SHE WILL, 311 00:11:07,300 --> 00:11:08,567 THAT'S WHAT I COULD TELL HER. 312 00:11:08,600 --> 00:11:10,700 THAT'S WHY YOU SAID YOU WERE SORRY. 313 00:11:10,733 --> 00:11:12,167 GREAT, GREAT, WONDERFUL. 314 00:11:12,200 --> 00:11:13,167 YOU LIKE THAT ? 315 00:11:13,200 --> 00:11:14,300 YES, VERY MUCH. 316 00:11:14,333 --> 00:11:15,367 YEAH, IT'S QUITE GOOD, ISN'T IT ? 317 00:11:15,400 --> 00:11:16,367 SO, WE'RE LYING TOGETHER. 318 00:11:16,400 --> 00:11:17,600 YEAH. 319 00:11:17,633 --> 00:11:19,733 SO THAT'S OUR STORY, IN CASE MY WIFE EVER TALKS TO YOU, 320 00:11:19,767 --> 00:11:21,133 KATHY GRIFFIN... 321 00:11:21,167 --> 00:11:22,600 "YEAH, KATHY GRIFFIN CALLED HIM UP, 322 00:11:22,633 --> 00:11:27,100 "AND, UH, HE SAID I COULDN'T WRITE THE PILOT FOR HER. 323 00:11:27,133 --> 00:11:28,167 "WITHOUT EVEN ASKING ME. 324 00:11:28,200 --> 00:11:29,567 HE'S AN IDIOT, HE'S AN IDIOT." 325 00:11:29,600 --> 00:11:30,767 WHO IS ? 326 00:11:30,800 --> 00:11:31,767 YOU ARE, I'M TALKING TO MY WIFE NOW. 327 00:11:31,800 --> 00:11:34,500 "HE'S A BIG, FAT IDIOT." 328 00:11:34,533 --> 00:11:36,067 BIG, FAT IDIOT ? 329 00:11:36,067 --> 00:11:37,967 TELL YOUR WIFE I'M AN IDIOT. 330 00:11:38,067 --> 00:11:39,267 DON'T SAY I'M A FAT IDIOT. 331 00:11:39,300 --> 00:11:40,800 I'M KIDDING. 332 00:11:40,833 --> 00:11:41,800 COULD YOU DO ME A FAVOR ? 333 00:11:41,833 --> 00:11:42,967 WRITE ME A LETTER OF APOLOGY. 334 00:11:43,067 --> 00:11:44,433 I WILL. 335 00:11:44,467 --> 00:11:46,400 FOR CALLING ME A FAT IDIOT, LISTEN. 336 00:11:46,433 --> 00:11:48,067 THE OTHER NIGHT WHEN YOU CALLED YOUR WIFE "HITLER" ? 337 00:11:48,067 --> 00:11:49,333 MY PARENTS, YOU KNOW, WERE IN THE BACK ? 338 00:11:49,367 --> 00:11:52,433 WE HAD A GAY COUSIN THAT ESCAPED NAZI GERMANY, 339 00:11:52,467 --> 00:11:54,733 SO MY PARENTS ARE VERY SENSITIVE TO IT. 340 00:11:54,767 --> 00:11:56,567 TALK ABOUT BEING OSTRACIZED. 341 00:11:56,600 --> 00:11:57,567 WELL, YEAH. 342 00:11:57,600 --> 00:11:59,267 GAY JEW IN NAZI GERMANY ? 343 00:11:59,300 --> 00:12:00,600 YEAH, YEAH, YEAH, YEAH, YEAH, YEAH. 344 00:12:00,633 --> 00:12:02,300 HE MUST HAVE HAD A HARD TIME. 345 00:12:02,333 --> 00:12:03,300 YEP. 346 00:12:03,333 --> 00:12:04,767 WHAT A COMBO. 347 00:12:04,800 --> 00:12:05,933 LISTEN, CAN YOU DO ME A FAVOR ? 348 00:12:05,967 --> 00:12:07,900 PLEASE, THIS AFTERNOON, COME BY THE HOUSE 349 00:12:07,933 --> 00:12:10,200 AND, APOLOGIZE TO MY PARENTS. 350 00:12:10,233 --> 00:12:12,067 IT'S FOR ME, THEY'RE HERE FOR ANOTHER WEEK. 351 00:12:12,067 --> 00:12:14,167 MY FATHER WANTS ME TO DROP YOU AS A CLIENT ! 352 00:12:14,200 --> 00:12:15,400 HE KEEPS ON TELLING ME EVERYDAY. 353 00:12:15,433 --> 00:12:16,867 "DROP HIM, DROP HIM AS A CLIENT !" 354 00:12:16,900 --> 00:12:19,833 BECAUSE OF ONE STUPID, LITTLE JOKE I MADE IN THE CAR ? 355 00:12:19,867 --> 00:12:21,167 ONE STUPID, LITTLE THING. 356 00:12:21,200 --> 00:12:23,500 BECAUSE OF THE GAY JEW COUSIN ? 357 00:12:23,533 --> 00:12:25,100 THEY'RE VERY SENSITIVE ABOUT IT... 358 00:12:25,133 --> 00:12:27,067 OF THE GAY JEW COUSIN. 359 00:12:27,100 --> 00:12:28,467 I GOTTA GO MEET THEM FOR LUNCH. 360 00:12:28,500 --> 00:12:31,500 I'LL BE HOME THIS AFTERNOON, PLEASE, PLEASE COME BY. 361 00:12:31,533 --> 00:12:34,067 DON'T EVER PUT ME ON THAT SPEAKER PHONE AGAIN 362 00:12:34,067 --> 00:12:35,167 IN YOUR CAR IF ANYBODY'S SITTING THERE, 363 00:12:35,200 --> 00:12:36,167 EVER AGAIN ! 364 00:12:36,200 --> 00:12:37,167 IF I'M BY MYSELF IT'S OKAY. 365 00:12:37,200 --> 00:12:38,333 YEAH ! 366 00:12:38,367 --> 00:12:39,800 OKAY, BUT CAN YOU DO ME A FAVOR, PLEASE ? 367 00:12:39,833 --> 00:12:42,067 TELL MY PARENTS YOU'RE SORRY. 368 00:12:42,067 --> 00:12:45,167 QUICKLY ZIP IN, ZIP OUT, AND TELL THEM, ALRIGHT ? 369 00:12:49,800 --> 00:12:51,167 HAVE YOU EVER HEARD OF THIS NEW RESTAURANT 370 00:12:51,200 --> 00:12:52,200 CALLED "MAMA'S BOY" ? 371 00:12:52,233 --> 00:12:53,233 YEAH, I HEARD IT'S GREAT. 372 00:12:53,267 --> 00:12:54,233 OH, YEAH ? 373 00:12:54,267 --> 00:12:55,533 YEAH. 374 00:12:55,567 --> 00:12:56,800 OH, GOOD, CHERYL AND I ARE GOING ON SATURDAY NIGHT. 375 00:12:56,833 --> 00:12:57,900 WE HAVE RESERVATIONS. 376 00:12:57,933 --> 00:12:59,533 WITH LEWIS AND HIS GIRLFRIEND ? 377 00:12:59,567 --> 00:13:02,233 NO, WE WERE SUPPOSED TO, BUT THAT FELL THROUGH. 378 00:13:02,267 --> 00:13:03,567 I SHOULD TAKE MY PARENTS THERE. 379 00:13:03,600 --> 00:13:05,300 YOU SHOULD. 380 00:13:05,333 --> 00:13:07,433 "MAMA'S BOY." 381 00:13:11,900 --> 00:13:13,733 ( whistling ) 382 00:13:13,767 --> 00:13:16,667 NOBODY IS GONNA WANNA SEE HER ON ANOTHER AWARDS SHOW. 383 00:13:16,700 --> 00:13:19,067 NO, OKAY, I GOTTA GO. 384 00:13:19,067 --> 00:13:20,067 ALRIGHT, BYE. 385 00:13:20,067 --> 00:13:21,500 HI. 386 00:13:21,533 --> 00:13:22,500 DID RICHARD LEWIS CALL ? 387 00:13:22,533 --> 00:13:23,900 YES, AND HE'S COMING OVER. 388 00:13:23,933 --> 00:13:25,133 OH. 389 00:13:25,167 --> 00:13:28,167 SO, IT'LL PROBABLY BE A FEW MINUTES FROM NOW. 390 00:13:28,200 --> 00:13:30,500 UM, BOB SHAW CALLED. 391 00:13:30,533 --> 00:13:32,633 HE JUST WANTED TO SAY HI. 392 00:13:32,667 --> 00:13:34,067 AND YOUR WIFE CALLED TWICE. 393 00:13:34,100 --> 00:13:35,967 OKAY, I DON'T NEED THAT. 394 00:13:36,733 --> 00:13:38,233 Q-TIPS ? OKAY. 395 00:13:38,267 --> 00:13:40,300 YEAH, I'M WRITING IT DOWN. 396 00:13:40,333 --> 00:13:42,200 A COLOR WRAP. 397 00:13:42,233 --> 00:13:44,700 IS THAT TIN FOIL OR PLASTIC ? 398 00:13:44,733 --> 00:13:47,067 IS THAT SARAN WRAP ? 399 00:13:47,067 --> 00:13:49,067 NO, I DON'T KNOW. 400 00:13:49,067 --> 00:13:51,800 WELL, THAT'S WHAT I THOUGHT, OKAY. 401 00:13:51,833 --> 00:13:54,467 UH, YES, AS A MATTER OF FACT I DID. 402 00:13:54,500 --> 00:13:59,567 UM, WHAT HAPPENED WAS KATHY GRIFFIN HAD CALLED HIM 403 00:13:59,600 --> 00:14:03,867 ( knocking ) ABOUT THE POSSIBILITY OF ME WRITING A PILOT FOR HER. 404 00:14:03,900 --> 00:14:06,067 SHE WAS INTERESTED IN ME WRITING A PILOT FOR HER, 405 00:14:06,067 --> 00:14:07,133 AND HE NEVER TOLD ME ABOUT IT. 406 00:14:07,167 --> 00:14:08,833 HE JUST SAID NO WITHOUT TELLING ME. 407 00:14:08,867 --> 00:14:11,700 SO, THAT'S WHAT HE SAID HE WAS SORRY ABOUT. 408 00:14:11,733 --> 00:14:14,133 ( banging ) 409 00:14:14,167 --> 00:14:16,533 OKAY, YEAH, I LOVE YOU, TOO. 410 00:14:16,567 --> 00:14:18,333 OKAY, BYE. 411 00:14:21,167 --> 00:14:23,067 WHAT ARE YOU LOOKING AT ME LIKE THAT FOR ? 412 00:14:23,067 --> 00:14:25,633 BECAUSE I'VE NEVER BEEN MARRIED, AND I THINK I'M IN LOVE, 413 00:14:25,667 --> 00:14:27,200 AND I THINK YOU MIGHT HAVE RUINED THIS FOR ME. 414 00:14:27,233 --> 00:14:28,200 COME ON, "RUINED IT." 415 00:14:28,233 --> 00:14:31,367 IF I DID, I DID YOU A FAVOR, BY THE WAY. 416 00:14:31,400 --> 00:14:33,900 THAT'S ONE OF THE MOST INSENSITIVE THINGS YOU HAVE EVER SAID. 417 00:14:33,933 --> 00:14:36,100 I DON'T THINK IT'S INSENSITIVE, I THINK IT'S SENSITIVE. 418 00:14:36,133 --> 00:14:38,233 I THINK IT'S SENSITIVE, I DON'T, I DO. 419 00:14:38,267 --> 00:14:39,600 LET ME TELL YOU SOMETHING. 420 00:14:39,633 --> 00:14:41,933 NOW THIS IS A WOMAN WHO KNOWS SEVEN LANGUAGES. 421 00:14:41,967 --> 00:14:43,167 SHE'S VERY SWEET. 422 00:14:43,200 --> 00:14:46,067 I'M TAKING A LEAK, THE MOVIE'S ABOUT TO START. 423 00:14:46,067 --> 00:14:47,067 LOOK AT ME, CAN YOU RESPECT-- ? 424 00:14:47,067 --> 00:14:49,600 I DROVE DOWN IN RUSH HOUR. 425 00:14:49,633 --> 00:14:51,300 AND THOSE SEATS ARE LIKE THIS. 426 00:14:51,333 --> 00:14:53,233 SHE TRIED. SHE DIDN'T TRY. 427 00:14:53,267 --> 00:14:54,667 "DO YOU MIND ?! 428 00:14:54,700 --> 00:14:56,467 CAN'T YOU MOVE ?!" 429 00:14:56,500 --> 00:14:58,200 AND THEN, HERE'S THE COUP DE GRAS, 430 00:14:58,233 --> 00:15:00,667 YOU LOOK AT HER BREASTS ! 431 00:15:00,700 --> 00:15:03,067 YOU'RE LOOKING AT MY GIRLFRIEND'S BREASTS ! 432 00:15:03,067 --> 00:15:04,367 THEY'RE NOT BREASTS, 433 00:15:04,400 --> 00:15:07,067 THEY'RE JUST BIG CHEMICAL BALLS, OKAY ? 434 00:15:07,067 --> 00:15:08,067 THEY'RE NOT BREASTS. 435 00:15:08,067 --> 00:15:09,067 HOW DO YOU KNOW THEY'RE FAKE ? 436 00:15:09,067 --> 00:15:10,500 I COULD TAKE A GUESS. 437 00:15:10,533 --> 00:15:12,700 SO, MAYBE THEY ARE FAKE, WHAT'S THE BIG DEAL ? 438 00:15:12,733 --> 00:15:14,200 NOTHING, DON'T CALL THEM BREASTS, THEY'RE NOT BREASTS. 439 00:15:14,233 --> 00:15:15,867 FIRST OF ALL, I'M GETTING-- 440 00:15:15,900 --> 00:15:18,533 I HAVE THAT IRREGULAR HEART THING, AND THIS IS NOT A GOOD THING. 441 00:15:18,567 --> 00:15:20,367 I'M A RECOVERING ALCOHOLIC. 442 00:15:20,400 --> 00:15:21,800 THIS IS ALL VERY BAD FOR ME. 443 00:15:21,833 --> 00:15:22,800 WE'RE DOING THE LITANY NOW ? 444 00:15:22,833 --> 00:15:23,800 WHAT ELSE ? 445 00:15:23,833 --> 00:15:25,367 I CAN GIVE YOU THE LITANY. 446 00:15:25,400 --> 00:15:27,733 YOU WANT TO KNOW WHAT MY CHOLESTEROL WAS ? 447 00:15:27,767 --> 00:15:29,267 272, ALRIGHT ? 448 00:15:29,300 --> 00:15:30,933 SO, I DON'T NEED THIS SHIT, MAN. 449 00:15:30,967 --> 00:15:32,400 I'VE KNOWN HER FOR SIX WEEKS. 450 00:15:32,433 --> 00:15:34,067 WE'VE ALREADY HAD INTERCOURSE. 451 00:15:34,067 --> 00:15:36,200 SHE'S LOVING, SHE SPEAKS SEVEN LANGUAGES. 452 00:15:36,233 --> 00:15:38,067 CONGRATULATIONS ON THE INTERCOURSE. 453 00:15:38,067 --> 00:15:41,067 AND I HAPPEN TO BE A LITTLE BIT IN LOVE WITH HER, OKAY ? 454 00:15:41,067 --> 00:15:43,767 WELL, A LITTLE BIT SHOULD BE THE OPERATIVE WORD HERE. 455 00:15:43,800 --> 00:15:45,067 I DON'T KNOW HOW TO GET-- 456 00:15:45,100 --> 00:15:46,600 FIRST OF ALL, IT'S NONE OF YOUR FUCKING BUSINESS. 457 00:15:46,633 --> 00:15:47,600 'CAUSE YOU'RE THE MOST INSENSITIVE-- 458 00:15:47,633 --> 00:15:48,833 DOES SHE ASK YOU TO GO OVER 459 00:15:48,867 --> 00:15:51,200 SOME OF THE NEIL SIMON SCRIPTS AT NIGHT ? 460 00:15:51,233 --> 00:15:52,500 THE ACTRESS ? 461 00:15:52,533 --> 00:15:55,200 MAKE YOU DO SOME READINGS AT NIGHT WITH HER IN BED ? 462 00:15:55,233 --> 00:15:57,067 DOES SHE GIVE YOU A SCRIPT 463 00:15:57,067 --> 00:15:59,400 AND GO OVER THE LINES WITH YOU ON THE SIDES ? 464 00:15:59,433 --> 00:16:00,667 DO YOU READ THE SIDES WITH HER ? 465 00:16:00,700 --> 00:16:02,900 SHE READS WYZELL, SHE READS A LOT OF THINGS. 466 00:16:02,933 --> 00:16:03,933 SHE READS WYZELL ? 467 00:16:03,967 --> 00:16:05,067 THAT'S RIGHT. 468 00:16:05,067 --> 00:16:06,633 NOT EVERYONE'S A MORON I GO OUT WITH. 469 00:16:06,667 --> 00:16:08,067 YOU KNOW WHAT SHE SHOULD BE READING ? 470 00:16:08,100 --> 00:16:09,767 EMILY FUCKING POST ! 471 00:16:09,800 --> 00:16:11,333 THAT'S WHAT SHE SHOULD BE READING ! 472 00:16:11,367 --> 00:16:12,367 LET ME TELL YOU SOMETHING, LARRY. 473 00:16:12,400 --> 00:16:14,267 LISTEN, SATURDAY NIGHT, DO ME A FAVOR. 474 00:16:14,300 --> 00:16:16,067 I LOVE YOU, ALRIGHT ? 475 00:16:16,067 --> 00:16:19,067 WE HAVE ENOUGH GOOD STUFF IN THE BANK TO GET OVER THIS. 476 00:16:19,067 --> 00:16:21,367 BUT SATURDAY NIGHT AT DINNER, COULD WE MAYBE, 477 00:16:21,400 --> 00:16:23,367 MAYBE TRY TO HAVE AN APOLOGY FOR THIS ? 478 00:16:23,400 --> 00:16:25,833 FIRST OF ALL, THERE'S NO WAY I CAN HAVE DINNER WITH YOU ON SATURDAY NIGHT. 479 00:16:25,867 --> 00:16:26,833 THAT'S OUT. 480 00:16:26,867 --> 00:16:27,933 AM I HEARING THIS ? 481 00:16:27,967 --> 00:16:29,200 I'M NOT HAVING DINNER. 482 00:16:29,233 --> 00:16:30,533 OUR RELATIONSHIP'S AT STAKE RIGHT NOW. 483 00:16:30,567 --> 00:16:31,633 OUR RELATIONSHIP'S AT STAKE. 484 00:16:31,667 --> 00:16:32,633 GET OUT OF HERE ! 485 00:16:32,667 --> 00:16:34,133 YOU'D BETTER CALL ME LATER ON... 486 00:16:34,167 --> 00:16:35,600 BY SUNDOWN. 487 00:16:35,633 --> 00:16:36,733 BY SUNDOWN ? 488 00:16:36,767 --> 00:16:38,067 WHAT ARE YOU, GARY COOPER ? BY SUNDOWN ? 489 00:16:38,067 --> 00:16:39,067 WHAT'S-- ? 490 00:16:39,067 --> 00:16:40,333 THAT'S FUNNY. 491 00:16:40,367 --> 00:16:42,567 YOU KNOW, I'M TRYING NOT TO LAUGH, BUT THAT'S FUNNY. 492 00:16:42,600 --> 00:16:44,067 YOU'D BETTER CALL ME BY SUNDOWN. 493 00:16:44,100 --> 00:16:45,267 BY SUNDOWN ? 494 00:16:45,300 --> 00:16:47,200 AND IS A POSSE GONNA COME GET ME ? 495 00:16:47,233 --> 00:16:48,667 THAT'S RIGHT. 496 00:16:51,800 --> 00:16:52,833 ( chattering ) 497 00:16:52,867 --> 00:16:55,567 ( female ) OH, THERE HE IS, HI, 'LAR. 498 00:16:55,600 --> 00:16:57,633 SO, THESE ARE MY FRIENDS, 499 00:16:57,667 --> 00:16:59,067 CONNIE AND ROBIN, FROM "THE MOMMY AND ME CLASS". 500 00:16:59,100 --> 00:17:00,133 OH, OKAY. 501 00:17:00,167 --> 00:17:01,333 ( female ) I'M ONE OF THE MOMMIES. 502 00:17:01,367 --> 00:17:04,700 HI, MOMMY, HI. 503 00:17:04,733 --> 00:17:06,900 ( female ) ACTUALLY, LET'S GO UP AND SEE THE KIDS. 504 00:17:06,933 --> 00:17:09,733 ( Jeff ) MOM, DAD, LARRY'S HERE. 505 00:17:09,767 --> 00:17:11,333 OH, REALLY ? 506 00:17:12,267 --> 00:17:14,433 HI, UM... 507 00:17:14,467 --> 00:17:17,300 I'VE COME TO TELL YOU THAT, 508 00:17:17,333 --> 00:17:19,733 UM, I'M SORRY ABOUT THE OTHER NIGHT. 509 00:17:19,767 --> 00:17:20,867 AND I KNOW YOU WERE IN THE CAR, 510 00:17:20,900 --> 00:17:22,967 AND YOU OVERHEARD ME SAY SOMETHING ABOUT MY WIFE. 511 00:17:23,067 --> 00:17:25,200 WE WERE IN THE CAR. 512 00:17:25,233 --> 00:17:26,800 I'M SORRY IF I OFFENDED YOU, 513 00:17:26,833 --> 00:17:28,500 IT WAS MEANT AS A JOKE, 514 00:17:28,533 --> 00:17:29,500 IT WASN'T VERY FUNNY, OBVIOUSLY. 515 00:17:29,533 --> 00:17:30,500 IT WASN'T FUNNY. 516 00:17:30,533 --> 00:17:31,967 NO ! 517 00:17:32,067 --> 00:17:34,467 I THOUGHT I WAS JUST TALKING TO JEFF... 518 00:17:34,500 --> 00:17:36,133 YOU MEAN YOU CAN SAY THAT KIND OF THING TO JEFF, 519 00:17:36,167 --> 00:17:38,300 AND HE THINKS IT'S FUNNY, 520 00:17:38,333 --> 00:17:39,867 IS THAT WHAT YOU'RE TRYING TO SAY ? 521 00:17:39,900 --> 00:17:40,867 I'M NOT TRYING TO SAY THAT. 522 00:17:40,900 --> 00:17:42,433 YOU DON'T THINK IT'S FUNNY. 523 00:17:42,467 --> 00:17:44,500 ( Jeff ) I WOULD'VE TOLD HIM IT WAS THE WRONG THING TO SAY. 524 00:17:44,533 --> 00:17:47,433 I THINK SO. 525 00:17:47,467 --> 00:17:49,267 I DON'T THINK MY WIFE IS HITLER, 526 00:17:49,300 --> 00:17:50,833 I LOVE MY WIFE VERY MUCH. 527 00:17:50,867 --> 00:17:52,100 SHE'S GIVEN UP HER CAREER 528 00:17:52,133 --> 00:17:54,833 TO WORK FULL-TIME FOR THE ENVIRONMENT. 529 00:17:54,867 --> 00:17:57,267 SO, IT WAS AN ERROR ON YOUR PART ? 530 00:17:57,300 --> 00:17:59,833 IT WAS CRUEL AND NOT NICE. 531 00:17:59,867 --> 00:18:01,067 IT WAS ROTTEN, IF I MAY SAY SO. 532 00:18:01,067 --> 00:18:02,067 IT WAS ROTTEN ! 533 00:18:02,067 --> 00:18:05,167 IT WAS ROTTEN. 534 00:18:05,200 --> 00:18:07,400 I'M SORRY, I AGREE, IT WAS ROTTEN. 535 00:18:07,433 --> 00:18:09,367 ALRIGHT, IT'S OVER NOW. 536 00:18:09,400 --> 00:18:10,367 IT'S OVER, WHAT YOU DID. 537 00:18:10,400 --> 00:18:12,700 YOU HAVE TO PULL YOURSELF TOGETHER. 538 00:18:12,733 --> 00:18:16,300 I DO, I'M TRYING TO PULL MYSELF TOGETHER. 539 00:18:16,333 --> 00:18:18,367 YOU HAVE TO GET AHOLD OF YOURSELF. 540 00:18:18,400 --> 00:18:20,067 SO, YOU DID WHAT YOU DID, 541 00:18:20,100 --> 00:18:21,533 AND, IT WASN'T VERY NICE, 542 00:18:21,567 --> 00:18:24,400 BUT, I TRY TO BE A NICE HUMAN BEING. 543 00:18:24,433 --> 00:18:26,067 FORGET ABOUT IT. 544 00:18:26,067 --> 00:18:27,333 AS LONG AS YOU UNDERSTAND. 545 00:18:27,367 --> 00:18:29,267 ( Jeff ) HE UNDERSTANDS, HE'S GREAT. 546 00:18:29,300 --> 00:18:31,067 I'M DONE WITH THE HITLER STUFF. 547 00:18:31,067 --> 00:18:32,067 YOU'RE ALRIGHT. 548 00:18:32,067 --> 00:18:33,067 THANK YOU. 549 00:18:33,067 --> 00:18:34,300 YOU'VE COME IN AND YOU SAID IT. 550 00:18:34,333 --> 00:18:36,133 AH, AH, AH, EASY. 551 00:18:36,167 --> 00:18:37,433 ( female ) MOM, DAD ! 552 00:18:37,467 --> 00:18:39,300 SAMMY IS ASLEEP, ON THE FLOOR, 553 00:18:39,333 --> 00:18:41,067 HE'S GOT HIS ARM AROUND SARAH. 554 00:18:41,100 --> 00:18:43,067 IT'S THE CUTEST THING, YOU GOTTA COME UP, 555 00:18:43,067 --> 00:18:44,067 RIGHT NOW. 556 00:18:44,100 --> 00:18:45,733 LARRY, COME, IT'S SO CUTE. 557 00:18:45,767 --> 00:18:47,067 JEFFREY, GET THE POLAROID, OKAY ? 558 00:18:47,067 --> 00:18:48,067 THE POLAROID... 559 00:18:48,067 --> 00:18:50,100 AND YOU CAN SEE THE NEW WALLPAPER. 560 00:18:50,133 --> 00:18:52,333 ( chattering ) 561 00:18:52,367 --> 00:18:55,733 ( Jeff ) THE POLAROID, I'LL GET THE POLAROID. 562 00:18:55,767 --> 00:18:57,533 I'M NOT GONNA GO UPSTAIRS. 563 00:18:57,567 --> 00:18:59,600 WHATEVER, YOU KNOW, IT'S YOUR BUSINESS. 564 00:18:59,633 --> 00:19:01,133 YOU WANNA, YOU WANNA, YOU DON'T, YOU DON'T. 565 00:19:01,167 --> 00:19:02,133 I CAN'T MAKE YOU. 566 00:19:02,167 --> 00:19:03,267 I GOTTA GET MOVING. 567 00:19:03,300 --> 00:19:04,467 THANK YOU, THAT WAS REALLY NICE OF YOU. 568 00:19:04,500 --> 00:19:06,133 I REALLY APPRECIATE IT. 569 00:19:06,167 --> 00:19:07,433 I GOTTA GO UP THERE NOW. 570 00:19:18,433 --> 00:19:20,267 ( Cheryl ) LARRY, LARRY, COME HERE FOR A SECOND. 571 00:19:20,300 --> 00:19:22,433 UM, LOOK WHO'S HERE. 572 00:19:22,467 --> 00:19:23,900 I JUST WANTED TO JUST GET THIS OUT IN THE OPEN. 573 00:19:23,933 --> 00:19:24,900 WHAT THE HELL ? 574 00:19:24,933 --> 00:19:26,067 IT'S NANCY. 575 00:19:26,100 --> 00:19:28,067 AND, I JUST WANTED YOU TO COME OVER HERE... 576 00:19:28,100 --> 00:19:29,233 COME OVER HERE FOR ONE SECOND. 577 00:19:29,267 --> 00:19:31,833 I THOUGHT WE SHOULD JUST TALK ABOUT THIS. 578 00:19:31,867 --> 00:19:33,400 TELL HER WHAT YOU WERE TELLING ME THE OTHER NIGHT. 579 00:19:33,433 --> 00:19:37,400 WHY ARE YOU DOING THIS ? THIS IS SILLY ! 580 00:19:37,433 --> 00:19:39,767 TELL HER WHAT YOU TOLD ME THE OTHER NIGHT. 581 00:19:42,133 --> 00:19:44,700 I CAN'T BELIEVE THAT 582 00:19:44,733 --> 00:19:46,267 SHE'S TALKING TO YOU ABOUT THIS ! 583 00:19:46,300 --> 00:19:47,833 THIS IS INSANE ! 584 00:19:47,867 --> 00:19:48,833 WAIT A SECOND, WAIT A SECOND, 585 00:19:48,867 --> 00:19:49,967 HOLD IT, HOLD IT. 586 00:19:50,067 --> 00:19:51,067 CAN I JUST SAY SOMETHING HERE ? 587 00:19:51,100 --> 00:19:53,533 OKAY... 588 00:19:53,567 --> 00:19:55,433 NOW, I CAME HOME, AND I THOUGHT 589 00:19:55,467 --> 00:19:57,667 IT WAS REALLY FUNNY, 590 00:19:57,700 --> 00:20:00,700 IT WAS KIND OF A JOKE TO ME THAT, 591 00:20:00,733 --> 00:20:04,133 YOU KNOW, THAT YOU STARED DOWN, OVER HERE... 592 00:20:04,167 --> 00:20:05,600 BECAUSE YOU HAD AN ERECTION. 593 00:20:05,633 --> 00:20:06,933 NANCY, THIS IS, 594 00:20:06,967 --> 00:20:09,100 THIS IS WHY IT'S FUNNY, 595 00:20:09,133 --> 00:20:10,933 BECAUSE YOU THOUGHT THAT I HAD AN ERECTION. 596 00:20:10,967 --> 00:20:12,267 I THOUGHT ? 597 00:20:12,300 --> 00:20:15,533 BUT, I DON'T UNDERSTAND THE "THOUGHT" PART. 598 00:20:15,567 --> 00:20:17,100 THAT'S WHAT WE'RE SAYING. 599 00:20:17,133 --> 00:20:18,600 EVEN BEFORE THE MOVIE, 600 00:20:18,633 --> 00:20:20,400 LARRY SAID, "LOOK AT THESE PANTS". 601 00:20:20,433 --> 00:20:21,800 I POINTED OUT THE PANTS TO HER 602 00:20:21,833 --> 00:20:24,233 RIGHT BEFORE THE MOVIE. 603 00:20:24,267 --> 00:20:26,833 LARRY, YOU SAT DOWN, AND EVERYTHING WAS FINE. 604 00:20:26,867 --> 00:20:28,100 AND THEN I STARTED RUBBING YOUR ARM, 605 00:20:28,133 --> 00:20:29,100 AND, YOU GOT A HARD-ON. 606 00:20:29,133 --> 00:20:31,067 IT'S NOT A BIG DEAL, I DON'T CARE. 607 00:20:31,100 --> 00:20:32,567 NO, IT'S NOT A BIG DEAL. 608 00:20:32,600 --> 00:20:35,067 AND I WOULDN'T MIND IT, IF, IN FACT, I DID. 609 00:20:35,100 --> 00:20:36,067 WAIT A SECOND, WAIT A SECOND. 610 00:20:36,100 --> 00:20:37,667 SHE WAS RUBBING YOUR ARM ? 611 00:20:37,700 --> 00:20:39,500 WHY WERE YOU RUBBING HIS ARM ? 612 00:20:39,533 --> 00:20:41,533 I WAS UPSET ABOUT THE WOMAN... 613 00:20:41,567 --> 00:20:42,533 WHY DIDN'T YOU TELL ME 614 00:20:42,567 --> 00:20:43,533 THAT SHE WAS RUBBING YOUR ARM ? 615 00:20:43,567 --> 00:20:44,533 I WAS UPSET ABOUT THE WOMAN 616 00:20:44,567 --> 00:20:46,100 WHO WOULDN'T LET ME INTO THE AISLE ! 617 00:20:46,133 --> 00:20:47,433 WHY WOULDN'T YOU TELL ME THAT 618 00:20:47,467 --> 00:20:49,233 WHEN YOU TOLD ME THE STORY ? 619 00:20:49,267 --> 00:20:51,467 IT'S SO INSIGNIFICANT TO ME, THE WHOLE THING ! 620 00:20:51,500 --> 00:20:52,633 ( Cheryl ) I'M TAKING IN ALL THE FACTS. 621 00:20:52,667 --> 00:20:54,200 LISTEN, IT HAPPENED, OKAY ? 622 00:20:54,233 --> 00:20:56,467 HE GOT AN ERECTION, IT WASN'T A BIG DEAL. 623 00:20:56,500 --> 00:20:59,300 NANCY, IT DIDN'T HAPPEN, OKAY ? 624 00:20:59,333 --> 00:21:01,067 IF IT HAPPENED, I WOULD GIVE YOU CREDIT FOR IT ! 625 00:21:01,067 --> 00:21:02,200 IT DIDN'T HAPPEN. 626 00:21:02,233 --> 00:21:04,867 I KNOW, WHEN I GET THESE THINGS AND HOW THEY HAPPEN. 627 00:21:04,900 --> 00:21:07,467 THESE THINGS, THESE ERECTION THINGS ?! 628 00:21:07,500 --> 00:21:09,067 I KNOW THE SOURCE. 629 00:21:09,067 --> 00:21:10,333 I KNOW THE SOURCE, TOO. 630 00:21:10,367 --> 00:21:11,333 YEAH, I CAN NAME SOURCES ! 631 00:21:11,367 --> 00:21:13,067 SOPHIA LOREN WAS ONCE A SOURCE ! 632 00:21:13,067 --> 00:21:14,433 I KNOW MY SOURCES ! 633 00:21:14,467 --> 00:21:16,267 SOMETIMES THEY'RE MYSTERIOUS SOURCES, 634 00:21:16,300 --> 00:21:17,833 AND, I DON'T KNOW WHERE IT COMES FROM ! 635 00:21:17,867 --> 00:21:19,233 OTHER TIMES, I CAN PINPOINT IT ! 636 00:21:19,267 --> 00:21:20,433 WHAT ABOUT ME ? 637 00:21:20,467 --> 00:21:22,167 AM I NOT EVEN INVOLVED IN A SOURCE ? 638 00:21:22,200 --> 00:21:24,067 YEAH, YOU'RE A SOURCE, SHE'S A SOURCE. 639 00:21:24,067 --> 00:21:25,267 OH, MY GOD ! 640 00:21:25,300 --> 00:21:26,800 LISTEN, YOU GOT A HARD-ON. 641 00:21:26,833 --> 00:21:27,800 NO, I DIDN'T ! 642 00:21:27,833 --> 00:21:28,967 YOU GOT A HARD-ON ! 643 00:21:29,067 --> 00:21:30,400 LOOK, LOOK, LOOK AT THESE PANTS. 644 00:21:30,433 --> 00:21:31,833 THAT'S NOT WHAT IT LOOKED LIKE. 645 00:21:31,867 --> 00:21:33,400 THAT WAS FLOPPING, THIS WAS NOT FLOPPING. 646 00:21:33,433 --> 00:21:34,600 THERE WAS SOMETHING HARD IN THERE, 647 00:21:34,633 --> 00:21:36,367 AND IT WAS YOUR FUCKING DICK ! 648 00:21:36,400 --> 00:21:38,067 ARE YOU CRAZY ? 649 00:21:38,067 --> 00:21:39,200 DON'T WALK OUT ! 650 00:21:39,233 --> 00:21:41,267 ( Larry ) LET ME SHOW YOU, I'LL GET THE PANTS ! 651 00:21:41,300 --> 00:21:42,967 ( door slamming ) 652 00:21:43,067 --> 00:21:44,067 WHAT DID YOU HAVE TO TELL HER THAT FOR ?! 653 00:21:44,100 --> 00:21:45,800 YOU DIDN'T TELL ME THE WHOLE STORY, 654 00:21:45,833 --> 00:21:47,367 THANK YOU ! 655 00:21:47,400 --> 00:21:48,367 JESUS. 656 00:21:52,733 --> 00:21:54,767 ( chattering ) 657 00:21:54,800 --> 00:21:56,900 LOOK WHAT'S DOING HERE. 658 00:21:56,933 --> 00:22:00,367 THIS IS REALLY CROWDED. 659 00:22:00,400 --> 00:22:02,133 HI, UH, RESERVATION FOR 8:00, 660 00:22:02,167 --> 00:22:03,133 FOR DAVID. 661 00:22:03,167 --> 00:22:05,400 UH, YES. 662 00:22:05,433 --> 00:22:08,233 I HAVE YOU FOR A PARTY OF FOUR. 663 00:22:08,267 --> 00:22:11,333 YEAH, BUT THERE ARE ONLY GONNA BE TWO OF US. 664 00:22:11,367 --> 00:22:13,100 LARRY, HEY, HEY, COME HERE ! 665 00:22:13,133 --> 00:22:14,833 HEY ! 666 00:22:14,867 --> 00:22:16,867 EXCUSE ME ONE SECOND. 667 00:22:16,900 --> 00:22:17,867 ( Jeff ) HEY, CHERYL ! 668 00:22:17,900 --> 00:22:19,767 HI ! 669 00:22:19,800 --> 00:22:21,733 OOH, I HAVEN'T SEEN YOU IN SO LONG, 670 00:22:21,767 --> 00:22:22,733 OOH, 'LOOKIT. 671 00:22:22,767 --> 00:22:23,733 HI, MR. AND MRS. GREENE. 672 00:22:23,767 --> 00:22:25,533 THIS IS CHERYL, LARRY'S WIFE, 673 00:22:25,567 --> 00:22:26,533 THIS IS JEFF'S PARENTS. 674 00:22:26,567 --> 00:22:27,900 HI. 675 00:22:27,933 --> 00:22:30,267 ( Mrs. Greene ) HOW DO YOU DO, CHERYL, IS IT ? 676 00:22:30,300 --> 00:22:31,700 YES. 677 00:22:31,733 --> 00:22:33,533 HOW ARE YOU, CHERYL ? NICE TO SEE YOU. 678 00:22:33,567 --> 00:22:35,067 PRETTY LADY, PRETTY LADY. 679 00:22:35,067 --> 00:22:36,433 HOW'S EVERYTHING ? 680 00:22:36,467 --> 00:22:38,100 ( silence ) 681 00:22:40,133 --> 00:22:41,133 CAN I TALK TO YOU FOR A SECOND ? 682 00:22:41,167 --> 00:22:42,100 ( Larry ) YEAH. 683 00:22:43,633 --> 00:22:45,167 SHE'S NOT GONNA TELL HER ABOUT THE HITLER THING ? 684 00:22:45,200 --> 00:22:46,800 NO, NO, NO, NO WAY. 685 00:22:46,833 --> 00:22:49,500 I PROMISE YOU, I PROMISE YOU, NO WAY. 686 00:22:49,533 --> 00:22:50,767 LISTEN, THERE IS A LITTLE BIT OF A PROBLEM, THOUGH. 687 00:22:50,800 --> 00:22:53,400 REMEMBER THE OTHER DAY WHEN YOU WERE LEAVING, 688 00:22:53,433 --> 00:22:54,400 AND WE WANTED YOU TO COME UPSTAIRS 689 00:22:54,433 --> 00:22:55,400 AND LOOK AT THE KID ? 690 00:22:55,433 --> 00:22:56,967 SUSIE ASKED YOU TO COME UPSTAIRS ? 691 00:22:57,067 --> 00:22:58,733 MY PARENTS ARE MAD YOU DIDN'T. 692 00:22:58,767 --> 00:23:00,133 WHAT ? 693 00:23:00,167 --> 00:23:01,500 MY PARENTS ARE UPSET YOU DIDN'T COME UP, 694 00:23:01,533 --> 00:23:03,200 THEY THOUGHT YOU SHOULD COME UP. 695 00:23:03,233 --> 00:23:04,667 UP THE STAIRS ? TO SEE THE KIDS ? 696 00:23:04,700 --> 00:23:06,200 THEY'RE MAD AT ME ? 697 00:23:06,233 --> 00:23:07,733 THEY'RE MAD AT YOU. 698 00:23:07,767 --> 00:23:08,733 THAT'S INSANE. 699 00:23:08,767 --> 00:23:09,733 I'VE ALREADY TOLD THEM THEY'RE CRAZY. 700 00:23:09,767 --> 00:23:11,100 AND, WHAT DID THEY SAY ? 701 00:23:11,133 --> 00:23:12,967 THEY SAID, IT WOULD'VE BEEN NICE IF HE WOULD'VE CAME UPSTAIRS, 702 00:23:13,067 --> 00:23:13,967 WHAT KIND OF MAN DOESN'T COME UPSTAIRS 703 00:23:14,067 --> 00:23:15,700 TO LOOK AT ANOTHER MAN'S KID ? 704 00:23:15,733 --> 00:23:18,100 THEY DIDN'T EVEN SAY HELLO TO ME. 705 00:23:18,133 --> 00:23:20,767 I KNOW, THEY'RE UPSET WITH YOU. 706 00:23:20,800 --> 00:23:21,800 HOLD ON, SHE WANTS TO TALK TO YOU. 707 00:23:21,833 --> 00:23:23,067 ( hostess ) EXCUSE ME. 708 00:23:23,067 --> 00:23:26,067 I'M TRYING TO FIND A PLACE FOR A TABLE OF TWO, 709 00:23:26,067 --> 00:23:28,967 AND I JUST DON'T HAVE ONE. 710 00:23:29,067 --> 00:23:30,267 WAIT A SECOND... 711 00:23:30,300 --> 00:23:32,067 ( Cheryl ) WHAT'S HAPPENING ? 712 00:23:32,067 --> 00:23:36,067 WE CAN'T SIT TWO PEOPLE AT A TABLE OF FOUR... 713 00:23:36,067 --> 00:23:37,700 WE'LL TAKE A TABLE FOR TWO, THEN. 714 00:23:37,733 --> 00:23:39,933 RIGHT, THERE IS NO TABLE FOR TWO AVAILABLE 715 00:23:39,967 --> 00:23:41,300 FOR ANOTHER HOUR AND A HALF. 716 00:23:41,333 --> 00:23:42,300 WELL, THEN, WE'LL TAKE THE TABLE FOR FOUR, 717 00:23:42,333 --> 00:23:43,367 AND THERE'LL JUST BE TWO OF US. 718 00:23:43,400 --> 00:23:45,167 RIGHT, WE CAN'T SIT A TWO IN A FOUR, 719 00:23:45,200 --> 00:23:46,433 WE CAN ONLY SIT A FOUR IN A FOUR. 720 00:23:46,467 --> 00:23:47,733 OTHERWISE, WE'RE WASTING SPACE. 721 00:23:47,767 --> 00:23:48,733 I KNOW, BUT WE HAD A RESERVATION FOR FOUR, 722 00:23:48,767 --> 00:23:50,400 AND THE TWO PEOPLE COULDN'T COME. 723 00:23:50,433 --> 00:23:51,667 I CAN'T DO IT, IT'S NOT LOOKING GOOD, 724 00:23:51,700 --> 00:23:53,467 I'M TELLING YOU, IT'S NOT LOOKING GOOD. 725 00:23:53,500 --> 00:23:55,867 THANK YOU, THAT'S FINE. 726 00:24:00,100 --> 00:24:01,100 YOU KNOW WHAT, LARRY ? 727 00:24:01,133 --> 00:24:02,700 YOU SHOULD JUST TELL HER WHO YOU ARE. 728 00:24:02,733 --> 00:24:04,567 YEAH, WHO AM I ? 729 00:24:04,600 --> 00:24:05,867 I'M A GUY WITHOUT A TABLE, THAT'S WHO I AM. 730 00:24:05,900 --> 00:24:07,967 TRY THE "SEINFELD" THING AND SEE IF SHE REACTS. 731 00:24:08,067 --> 00:24:10,933 FORGET IT, I'M NOT GONNA SAY THAT. 732 00:24:10,967 --> 00:24:11,933 IT WILL HELP. 733 00:24:11,967 --> 00:24:15,400 MA'AM, CAN YOU COME FOR ONE SECOND ? 734 00:24:15,433 --> 00:24:17,700 TELL HER WHO YOU ARE. 735 00:24:17,733 --> 00:24:19,067 HE WAS ONE OF THE CREATORS OF "SEINFELD". 736 00:24:19,067 --> 00:24:21,200 ( Larry ) SO WHAT, RIGHT ? OKAY, BIG DEAL, FINE. 737 00:24:21,233 --> 00:24:23,167 WHAT I'M SAYING IS... 738 00:24:23,200 --> 00:24:24,900 SHE CAN FIND A TABLE FOR YOU. 739 00:24:24,933 --> 00:24:26,500 I WISH I COULD HELP YOU, BUT... 740 00:24:26,533 --> 00:24:28,633 YOU'VE SEEN IT. 741 00:24:28,667 --> 00:24:29,700 I SAW IT ONCE, IT WAS GOOD. 742 00:24:29,733 --> 00:24:31,067 ( Larry ) DID YOU, REALLY ? WHICH ONE ? 743 00:24:31,067 --> 00:24:32,067 I CAN'T REMEMBER. 744 00:24:32,067 --> 00:24:33,167 OKAY, GREAT, SEE ? 745 00:24:33,200 --> 00:24:34,867 SHE NEVER EVEN SAW THE SHOW, GOOD GOING. 746 00:24:34,900 --> 00:24:37,733 BUT WE CAN'T GIVE PREFERENTIAL TREATMENT HERE. 747 00:24:37,767 --> 00:24:40,533 ( Jeff ) CHERYL, LARRY, JOIN US, WE GOT THE CORNER TABLE. 748 00:24:40,567 --> 00:24:43,200 EASILY ADD TWO, COME ON, JOIN US. 749 00:24:43,233 --> 00:24:44,600 PLEASE DO, I'VE DONE IT BEFORE. 750 00:24:44,633 --> 00:24:46,567 OKAY, WE'LL SEE IF WE CAN DO THAT. 751 00:24:46,600 --> 00:24:47,900 THANK YOU, HEY, LARRY DAVID, 752 00:24:47,933 --> 00:24:49,400 CO-CREATOR OF "SEINFELD" ? 753 00:24:49,433 --> 00:24:52,167 OKAY, PLEASE ? THANK YOU, VERY MUCH. 754 00:24:52,200 --> 00:24:54,067 "SEINFELD", LARRY DAVID, THANK YOU, VERY MUCH. 755 00:24:54,067 --> 00:24:55,567 OKAY, COME ON, LET'S GO, COME ON. 756 00:24:58,700 --> 00:25:00,367 YOU WANNA EAT WITH HIM AND HIS FAMILY ? 757 00:25:00,400 --> 00:25:01,800 I'M STARVING. 758 00:25:07,100 --> 00:25:08,900 I'M GONNA GET THE VEAL PARMESAN. 759 00:25:08,933 --> 00:25:11,067 ( Mrs. Greene ) OH, HONEY, I DON'T THINK YOU SHOULD GET THAT. 760 00:25:11,100 --> 00:25:12,333 ALRIGHT, I'LL GET THE WHITE FISH THEN, 761 00:25:12,367 --> 00:25:13,767 ARE YOU HAPPY ? I'LL GET THE WHITE FISH. 762 00:25:13,800 --> 00:25:17,867 ( Mr. Greene ) I'M GONNA HAVE THE FISH FRENZY. 763 00:25:17,900 --> 00:25:19,300 ( Susie ) WHAT'S THAT ? WHERE DO YOU SEE THAT ? 764 00:25:19,333 --> 00:25:20,633 ( Mr. Greene ) RIGHT HERE. 765 00:25:20,667 --> 00:25:23,167 AND IT'S GOT BREWED SHRIMP WITH IT... 766 00:25:23,200 --> 00:25:24,433 WELL, I'M NOT HAVING THAT, 767 00:25:24,467 --> 00:25:26,967 I'M HAVING WHITE FISH, ISN'T THAT RIGHT, SWEETHEART ? 768 00:25:27,067 --> 00:25:27,967 ( Jeff ) WHATEVER YOU WANT, MOM. 769 00:25:28,067 --> 00:25:29,767 OKAY. 770 00:25:29,800 --> 00:25:31,533 WHEN ARE YOU GUYS GOING BACK ? 771 00:25:32,600 --> 00:25:33,900 WHAT, IS THERE A HURRY ? 772 00:25:36,100 --> 00:25:37,367 NEXT TUESDAY. 773 00:25:37,400 --> 00:25:39,067 I KNOW, BECAUSE I BOUGHT THE TICKETS. 774 00:25:39,100 --> 00:25:41,067 NEXT TUESDAY, RIGHT ? 775 00:25:41,100 --> 00:25:42,067 NEXT TUESDAY. 776 00:25:42,100 --> 00:25:43,067 ( Susie ) LISTEN, MOM, 777 00:25:43,100 --> 00:25:44,767 YOU'RE WELCOME TO STAY WITH US 778 00:25:44,800 --> 00:25:47,133 AS LONG AS YOU WANT. 779 00:25:47,167 --> 00:25:48,300 GOOD EVENING, HOW ARE YOU THIS EVENING ? 780 00:25:48,333 --> 00:25:50,700 I'D LIKE TO APOLOGIZE FOR THE NECESSITY 781 00:25:50,733 --> 00:25:52,833 TO CROWD YOU A BIT. 782 00:25:52,867 --> 00:25:54,867 WE'RE VERY BUSY TONIGHT, FORTUNATELY, 783 00:25:54,900 --> 00:25:56,300 BUT, I HOPE YOU ENJOY YOU'RE DINNER 784 00:25:56,333 --> 00:25:57,300 NEVERTHELESS. 785 00:25:57,333 --> 00:25:58,833 ARE YOU MAMA'S BOY ? 786 00:25:58,867 --> 00:26:01,567 I AM A MAMA'S BOY, AND I'M PROUD OF IT. 787 00:26:01,600 --> 00:26:02,600 ENJOY YOUR DINNER. 788 00:26:02,633 --> 00:26:03,700 ( everyone ) THANK YOU. 789 00:26:03,733 --> 00:26:06,467 ( maitre de ) ENJOY THE DINNER, THANK YOU. 790 00:26:06,500 --> 00:26:08,767 I LOVE TO SEE A BLACK OWNER, 791 00:26:08,800 --> 00:26:10,967 BLACK ENTREPRENEURSHIP. 792 00:26:11,067 --> 00:26:13,800 WHAT DOES THAT MEAN ?WHAT DO YOU MEAN ? 793 00:26:13,833 --> 00:26:15,600 IT'S JUST... 794 00:26:19,967 --> 00:26:22,367 ( Susie ) I JUST WANNA POINT OUT... 795 00:26:22,400 --> 00:26:24,433 IF YOU'RE NOT GONNA ORDER DESSERT, 796 00:26:24,467 --> 00:26:26,300 IT'S NOT REALLY A GOOD DEAL, 797 00:26:26,333 --> 00:26:30,600 BECAUSE THE ENTREES ARE CHEAPER A LA CARTE, MOM. 798 00:26:30,633 --> 00:26:33,400 ( Mrs. Greene I DON'T FEEL WELL, I REALLY DON'T. 799 00:26:33,433 --> 00:26:35,267 HAVING NICE TIME ? 800 00:26:35,300 --> 00:26:36,267 HAVING A GREAT TIME. 801 00:26:36,300 --> 00:26:37,867 WE'VE GOT TO DO THIS AGAIN MORE OFTEN, 802 00:26:37,900 --> 00:26:39,333 DON'T YOU THINK ? 803 00:26:39,367 --> 00:26:40,567 MAYBE I'LL CALL IN FOR NEXT WEEK. 804 00:26:40,600 --> 00:26:41,800 WOULDN'T THAT BE NICE ? 805 00:26:41,833 --> 00:26:42,833 DO THIS AGAIN NEXT WEEK ? 806 00:26:42,867 --> 00:26:43,833 ( Susie ) OH, KATHY GRIFFIN. 807 00:26:43,867 --> 00:26:44,833 HEY, HEY... 808 00:26:44,867 --> 00:26:46,267 SORRY TO INTERRUPT. 809 00:26:46,300 --> 00:26:47,633 LARRY, JEFF, SUSIE. 810 00:26:47,667 --> 00:26:48,800 I CANNOT BELIEVE THIS COINCIDENCE. 811 00:26:48,833 --> 00:26:50,800 I HAVE BEEN MEANING TO CALL YOU, 812 00:26:50,833 --> 00:26:52,133 ABOUT LARRY. 813 00:26:52,167 --> 00:26:54,067 WE TALKED ABOUT IT.WE TALKED ABOUT IT. 814 00:26:54,100 --> 00:26:56,100 THE THING ABOUT THE PILOT, YEAH. 815 00:26:56,133 --> 00:26:57,100 PILOT ? 816 00:26:57,133 --> 00:26:58,533 WE SHOULD DO THAT. 817 00:26:58,567 --> 00:26:59,600 ( Larry ) THAT'S WHAT YOU CALLED HIM ABOUT, I KNOW. 818 00:26:59,633 --> 00:27:00,933 ( Kathy ) I DIDN'T CALL YOU, 819 00:27:00,967 --> 00:27:02,500 I'M SAYING I WAS GONNA GIVE YOU A CALL THIS WEEK. 820 00:27:02,533 --> 00:27:03,833 I THOUGHT MAYBE, 821 00:27:03,867 --> 00:27:06,433 YOU MIGHT WANNA WRITE SOMETHING FOR ME. 822 00:27:06,467 --> 00:27:07,433 YOU KNOW ? 823 00:27:07,467 --> 00:27:08,433 NO, I KNOW. 824 00:27:08,467 --> 00:27:09,433 HOW DO YOU KNOW ? 825 00:27:09,467 --> 00:27:12,267 OH, BECAUSE... 826 00:27:12,300 --> 00:27:13,667 ANYWAY, I JUST THOUGHT IT'D BE FUNNY, 827 00:27:13,700 --> 00:27:15,333 MAYBE WE GET TOGETHER, KICK AROUND SOME IDEAS. 828 00:27:15,367 --> 00:27:16,633 ( Mrs. Greene ) WHAT'S YOUR NAME, MISS ? 829 00:27:16,667 --> 00:27:19,233 KATHY GRIFFIN. 830 00:27:19,267 --> 00:27:20,933 ( Mr. Greene ) YOU'RE AN ATTRACTIVE YOUNG LADY. 831 00:27:20,967 --> 00:27:24,933 OH, WOW, YOU BETTER WATCH HIM, MISS. 832 00:27:24,967 --> 00:27:26,633 ALRIGHT, I'LL TALK TO YA SOON, OKAY ? 833 00:27:26,667 --> 00:27:27,633 BYE-BYE, SORRY TO INTERRUPT. 834 00:27:27,667 --> 00:27:28,800 ( Mrs. Greene ) SWEET GIRL... 835 00:27:28,833 --> 00:27:30,333 ( Mr. Greene ) LOOK AT THE WAY THAT GIRL WALKS. 836 00:27:30,367 --> 00:27:32,700 LOOK AT THAT, WHAT RHYTHM SHE HAS. 837 00:27:45,733 --> 00:27:50,300 Captions Copyright 2000 HOME BOX OFFICE 838 00:27:50,333 --> 00:27:54,333 A Division of TIME WARNER ENTERTAINMENT COMPANY, L.P. 839 00:27:55,667 --> 00:27:59,700 Captioned by HBO COMMUNICATIONS CENTER