1 00:00:06,800 --> 00:00:09,933 Captions made possible by HOME BOX OFFICE 2 00:00:09,967 --> 00:00:13,100 A DIVISION OF TIME WARNER ENTERTAINMENT COMPANY, L.P. 3 00:00:54,367 --> 00:00:56,667 YOU KNOW, THE COWBOY HAT WITH THAT BOLO STRING, 4 00:00:56,700 --> 00:00:58,133 WHAT IS THAT ? 5 00:00:58,167 --> 00:01:01,500 NOW, WAS THE BALL CLOSER TO HIM OR TO YOU ? 6 00:01:01,533 --> 00:01:02,933 VERY GOOD QUESTION. 7 00:01:02,967 --> 00:01:04,067 THANK YOU. 8 00:01:04,067 --> 00:01:06,400 I THINK IT WAS, MAYBE, A LITTLE CLOSER TO HIM. 9 00:01:06,433 --> 00:01:08,567 BUT, YOU COULDN'T JUST BE POLITE, 10 00:01:08,600 --> 00:01:09,933 REACH DOWN AND PICK UP THE BALL ? 11 00:01:09,967 --> 00:01:11,067 I COULD'VE. 12 00:01:11,067 --> 00:01:12,933 BUT THAT STRING... 13 00:01:12,967 --> 00:01:16,267 SAME HAT, NO STRING, NO QUESTION. 14 00:01:16,300 --> 00:01:18,167 I PICK IT UP. 15 00:01:18,200 --> 00:01:21,733 I SEE CERTAIN ITEMS AND I RECOIL IN HORROR. 16 00:01:21,767 --> 00:01:24,133 HEY, HOW'S JEFF ? 17 00:01:24,167 --> 00:01:27,067 OH, I THINK HE MIGHT HAVE TO HAVE BYPASS SURGERY. 18 00:01:27,067 --> 00:01:28,800 REALLY ? 19 00:01:28,833 --> 00:01:30,233 CAN YOU BELIEVE THAT ? 20 00:01:30,267 --> 00:01:31,967 I THOUGHT HE WAS JUST GOING IN FOR TESTS. 21 00:01:32,067 --> 00:01:33,767 WENT IN, THEY WOULDN'T LET HIM OUT. 22 00:01:33,800 --> 00:01:35,100 THAT'S KIND OF SCARY. 23 00:01:35,133 --> 00:01:37,133 I KNOW, BUT, HE'LL BE FINE. 24 00:01:37,167 --> 00:01:40,400 WELL, TELL HIM I SAID HI AND GIVE HIM MY BEST. 25 00:01:40,433 --> 00:01:43,367 YEAH, OKAY. 26 00:01:43,400 --> 00:01:46,067 AND JOHN DEBELLOS CALLED. 27 00:01:46,067 --> 00:01:48,633 OH, YEAH, I FORGOT TO CALL HIM BACK. 28 00:02:00,300 --> 00:02:02,633 HELLO ? 29 00:02:02,667 --> 00:02:05,133 LARRY. 30 00:02:05,167 --> 00:02:07,067 OH, HOW ARE YOU, GIL ? 31 00:02:07,100 --> 00:02:08,833 YOU SOUNDED LIKE MY FRIEND, JOHN. 32 00:02:13,133 --> 00:02:15,633 I JUST CALLED TO SAY HELLO. 33 00:02:17,067 --> 00:02:18,300 SATURDAY NIGHT ? 34 00:02:20,067 --> 00:02:23,500 WELL, I NEED DIRECTIONS. 35 00:02:23,533 --> 00:02:25,400 JUST FAX THEM. 36 00:02:25,433 --> 00:02:28,800 IT'S THE SAME AS MY HOME NUMBER. 37 00:02:28,833 --> 00:02:31,233 ALRIGHT, VERY GOOD. 38 00:02:31,267 --> 00:02:33,433 BYE. 39 00:02:33,467 --> 00:02:36,100 DIRECTIONS FOR WHAT ? 40 00:02:37,267 --> 00:02:40,267 I DIALED THE NUMBER UNDER JOHN'S BY ACCIDENT. 41 00:02:40,300 --> 00:02:42,800 I GOT THIS GUY, GIL THILANDER, 42 00:02:42,833 --> 00:02:44,267 AT THE GOLF CLUB. 43 00:02:44,300 --> 00:02:46,867 WHO'S GIL THILANDER ? 44 00:02:46,900 --> 00:02:49,100 I PLAYED GOLF WITH HIM, LIKE, THREE TIMES. 45 00:02:49,133 --> 00:02:52,067 AND, HE INVITED US TO THIS PARTY 46 00:02:52,067 --> 00:02:53,800 ON SATURDAY NIGHT AT HIS HOUSE. 47 00:02:53,833 --> 00:02:56,133 WE WERE GONNA GO OUT TO DINNER ON SATURDAY. 48 00:02:56,167 --> 00:02:58,067 WELL, I TOLD HIM WE'D GO. 49 00:02:58,067 --> 00:03:00,133 WHO IS GIL ? 50 00:03:00,167 --> 00:03:03,100 HE USED TO BE A PORNO ACTOR, LIKE, 15 YEARS AGO. 51 00:03:03,133 --> 00:03:05,700 NO, I DON'T WANNA GO TO A PORN PARTY. 52 00:03:05,733 --> 00:03:08,500 IT'S NOT A PORN PARTY. 53 00:03:08,533 --> 00:03:10,100 PLEASE ! 54 00:03:10,133 --> 00:03:11,867 WE'RE NOT EVEN GONNA SPEAK TO HIM ANYWAY. 55 00:03:11,900 --> 00:03:13,567 WE'LL GO IN, IT'S A PARTY. 56 00:03:13,600 --> 00:03:15,067 WE'LL JUST SAY HELLO AND THAT'LL BE IT. 57 00:03:15,100 --> 00:03:16,767 LISTEN, HERE'S WHAT WE'LL DO. 58 00:03:16,800 --> 00:03:17,967 WE'LL GO OUT TO DINNER 59 00:03:18,067 --> 00:03:19,333 AND, THEN WE'LL STOP BY THE PARTY 60 00:03:19,367 --> 00:03:20,533 AND WE'LL BE OUTTA THERE IN 10 MINUTES. 61 00:03:20,567 --> 00:03:22,400 WE'LL JUST SAY HELLO AND THEN THAT'S IT, 62 00:03:22,433 --> 00:03:24,633 AND WE'LL LEAVE, IT DOESN'T MATTER. 63 00:03:28,667 --> 00:03:31,267 SO, YOU GOT SOME KIND OF BLOCKAGE ? 64 00:03:31,300 --> 00:03:32,367 BLOCKAGE. 65 00:03:32,400 --> 00:03:34,367 I WENT IN FOR NORMAL TESTS AND HE SAID, 66 00:03:34,400 --> 00:03:35,900 "YOU'RE NOT GOING ANYWHERE. 67 00:03:35,933 --> 00:03:37,500 "AND, IF WE DON'T GET THIS CLEANED OUT, 68 00:03:37,533 --> 00:03:39,800 YOU'RE GONNA HAVE A HEART ATTACK." 69 00:03:39,833 --> 00:03:41,367 THAT'S PLEASANT NEWS. 70 00:03:41,400 --> 00:03:43,233 THAT'S NICE TO HEAR, ISN'T IT ? 71 00:03:43,267 --> 00:03:44,933 YOU'VE GOTTA DO ME A FAVOR, THOUGH. 72 00:03:44,967 --> 00:03:46,533 I'VE GOT TESTS ALL WEEK. 73 00:03:46,567 --> 00:03:48,467 SUNDAY, THEY'RE DOING THE PROCEDURE, OKAY ? 74 00:03:48,500 --> 00:03:49,633 SUNDAY ? 75 00:03:49,667 --> 00:03:51,500 SUSIE WILL BE HERE ALL DAY SUNDAY. 76 00:03:51,533 --> 00:03:53,333 SHE WILL NOT BE LEAVING HERE. 77 00:03:53,367 --> 00:03:55,067 THE KEYS, IN THE DRAWER THERE, GRAB THE KEYS, 78 00:03:55,067 --> 00:03:56,933 I WANNA SHOW YOU SOMETHING. 79 00:03:56,967 --> 00:03:59,467 JUST TRUST ME ON THIS FOR A SECOND, GET THE KEYS. 80 00:03:59,500 --> 00:04:02,200 THEY SHOULD BE RIGHT IN THE DRAWER THERE. 81 00:04:02,233 --> 00:04:03,633 YEAH, OKAY. 82 00:04:03,667 --> 00:04:05,400 THIS KEY RIGHT HERE... 83 00:04:05,433 --> 00:04:06,400 MYSTERIOUS. 84 00:04:06,433 --> 00:04:07,433 VERY MYSTERIOUS. 85 00:04:07,467 --> 00:04:10,167 THIS KEY RIGHT HERE, MY FRONT DOOR. 86 00:04:10,200 --> 00:04:12,667 I NEED YOU TO GO INTO MY HOUSE, 87 00:04:12,700 --> 00:04:14,833 OKAY, GO UP TO MY BEDROOM. 88 00:04:14,867 --> 00:04:16,333 TO THE LEFT OF TV, 89 00:04:16,367 --> 00:04:18,300 THERE'S A CABINET BY THE BOOKCASE THERE. 90 00:04:18,333 --> 00:04:20,067 OPEN IT UP, MOVE THE LINENS, 91 00:04:20,067 --> 00:04:21,733 THERE'S LINENS IN THERE, MOVE 'EM TO THE SIDE, 92 00:04:21,767 --> 00:04:23,833 PUSH ON THE BACK DOOR, AND IT'LL OPEN UP. 93 00:04:23,867 --> 00:04:26,267 INSIDE THERE, I HAVE, LIKE, MY PORN COLLECTION. 94 00:04:26,300 --> 00:04:28,067 I HAVE, LIKE, SEVEN, EIGHT PORN TAPES. 95 00:04:28,100 --> 00:04:30,367 A COUPLE OF MAGAZINES, ALRIGHT ? 96 00:04:30,400 --> 00:04:32,300 I NEED YOU TO GET THEM OUT OF THERE. 97 00:04:32,333 --> 00:04:34,367 YOU'VE GOTTA GET IT OUT OF THERE, 98 00:04:34,400 --> 00:04:37,067 BECAUSE IF SOMETHING HAPPENS TO ME... 99 00:04:37,067 --> 00:04:38,967 OH, YOU'RE THINKING, LIKE, THE ANESTHESIA, 100 00:04:39,067 --> 00:04:40,333 SOMETHING GOES WRONG. 101 00:04:40,367 --> 00:04:41,533 ANYTHING GOES WRONG, 102 00:04:41,567 --> 00:04:43,200 SHE'S NOT A BIG PORN PERSON. 103 00:04:43,233 --> 00:04:45,133 YOU DON'T WANT YOUR WIFE TO DISCOVER YOUR PORNO STUFF ? 104 00:04:45,167 --> 00:04:46,633 SHE DOESN'T UNDERSTAND THAT. 105 00:04:46,667 --> 00:04:49,067 I DON'T REALLY UNDERSTAND IT EITHER. 106 00:04:49,100 --> 00:04:50,733 THAT'S YOUR OWN DEAL, 107 00:04:50,767 --> 00:04:52,633 THAT'S YOUR OWN DEAL, "REPRESSION JONES". 108 00:04:52,667 --> 00:04:54,867 WELL, IS THERE AN ALARM CODE, 109 00:04:54,900 --> 00:04:56,600 OR ANYTHING LIKE THAT ? 110 00:04:56,633 --> 00:04:58,733 SY, 99-88. 111 00:04:58,767 --> 00:05:00,667 I BETTER WRITE THAT DOWN. 112 00:05:00,700 --> 00:05:02,900 IN THERE, SHOULD BE A PEN AND A PIECE OF PAPER. 113 00:05:06,067 --> 00:05:08,167 99-88, OKAY. 114 00:05:08,200 --> 00:05:10,900 I CAN'T BELIEVE YOU HAVE TO WRITE IT DOWN. 115 00:05:10,933 --> 00:05:13,467 WHAT AM I GONNA DO WITH THESE THINGS ? 116 00:05:13,500 --> 00:05:14,967 KEEP IT IN YOUR TRUNK. 117 00:05:15,067 --> 00:05:16,967 WHAT IF I GET IN AN ACCIDENT ON THE WAY HOME, 118 00:05:17,067 --> 00:05:18,267 WHAT ABOUT THAT ? 119 00:05:18,300 --> 00:05:21,133 AND THE PORN GOES FLYING EVERYWHERE ? 120 00:05:21,167 --> 00:05:22,767 STREWN ALL OVER THE CAR. 121 00:05:22,800 --> 00:05:24,633 ALL OVER MY BLEEDING BODY. 122 00:05:24,667 --> 00:05:25,900 YOU'LL BE FINE. THIS ALARM CODE... 123 00:05:25,933 --> 00:05:27,467 NOTHING'S GONNA HAPPEN. 124 00:05:27,500 --> 00:05:29,100 I'M NO GOOD WITH STUFF LIKE THAT. 125 00:05:29,133 --> 00:05:31,067 IT'S TOO TECHNICAL FOR ME. 126 00:05:31,100 --> 00:05:32,533 99-88. 127 00:05:32,567 --> 00:05:33,933 THE ALARM'S GONNA GO OFF, 128 00:05:33,967 --> 00:05:35,567 THEY'LL BE A SWAT TEAM DESCENDING ON ME. 129 00:05:35,600 --> 00:05:38,067 THIS WHOLE THING JUST HAS "DISASTER" WRITTEN ALL OVER IT. 130 00:05:38,100 --> 00:05:39,667 IT'LL BE FINE, TRUST ME. 131 00:05:39,700 --> 00:05:41,633 AND YOUR WIFE BETTER NOT SHOW UP. 132 00:05:41,667 --> 00:05:43,900 I GUARANTEE SHE'S NOT GONNA BE THERE, SHE'LL BE HERE. 133 00:05:43,933 --> 00:05:45,700 I APPRECIATE IT, YOU'RE A GREAT PAL. 134 00:05:45,733 --> 00:05:47,467 GOOD LUCK, TRY NOT TO DIE. 135 00:05:47,500 --> 00:05:50,267 "TRY NOT TO DIE." 136 00:05:50,300 --> 00:05:51,300 THANK YOU. 137 00:05:55,600 --> 00:05:57,067 SHIT. 138 00:05:58,633 --> 00:06:01,767 I DON'T UNDERSTAND HOW YOU GIVE DIRECTIONS LIKE THIS. 139 00:06:01,800 --> 00:06:04,633 I THOUGHT THIS PARTY WAS IN L.A. 140 00:06:04,667 --> 00:06:07,333 I GUESS HE'S GOT A WEEKEND HOUSE 141 00:06:07,367 --> 00:06:10,200 OR SOMETHING, I DON'T KNOW. 142 00:06:10,233 --> 00:06:12,367 LARRY, WE'VE BEEN DRIVING FOR AN HOUR. 143 00:06:12,400 --> 00:06:15,600 WE'RE, LIKE, IN THE BOONDOCKS. 144 00:06:15,633 --> 00:06:17,967 WHY DON'T YOU USE YOUR NAVIGATION SYSTEM THERE ? 145 00:06:18,067 --> 00:06:19,667 I DON'T KNOW HOW TO WORK IT. 146 00:06:19,700 --> 00:06:21,567 YOU DON'T KNOW HOW TO WORK IT ? 147 00:06:21,600 --> 00:06:22,667 NO. 148 00:06:22,700 --> 00:06:24,433 THEN WHY DID YOU GET IT ? 149 00:06:24,467 --> 00:06:26,433 I DON'T KNOW, I WANTED TO GET EVERYTHING. 150 00:06:26,467 --> 00:06:29,067 I WANTED TO HAVE ALL THE LOADED THINGS. 151 00:06:29,100 --> 00:06:31,467 WHEN WERE YOU GONNA LEARN ? 152 00:06:31,500 --> 00:06:34,067 I DON'T KNOW, I THOUGHT SOMEBODY WOULD TEACH ME. 153 00:06:34,067 --> 00:06:36,100 WHY DON'T YOU CALL THEM AGAIN ? 154 00:06:36,133 --> 00:06:38,233 THEY'RE NOT PICKING UP. 155 00:06:38,267 --> 00:06:39,767 YOU KNOW, THERE'S A PARTY. 156 00:06:39,800 --> 00:06:42,600 THEY PROBABLY DON'T HEAR THE PHONE. 157 00:06:42,633 --> 00:06:46,067 WE LEFT THREE MESSAGES ALREADY. 158 00:06:46,100 --> 00:06:48,500 ARE YOU EVEN READING THOSE DIRECTIONS ? 159 00:06:48,533 --> 00:06:51,367 I'M LOOKING FOR JAKE'S WAY. 160 00:06:51,400 --> 00:06:53,833 THAT'S ALL I'M DOING IS LOOKING FOR JAKE'S WAY. 161 00:06:53,867 --> 00:06:55,600 YOU SHOULD BE LOOKING, TOO. 162 00:06:55,633 --> 00:06:57,233 I HAVE BEEN LOOKING. 163 00:06:57,267 --> 00:06:59,700 THESE DIRECTIONS ARE SHIT, YOU KNOW THAT ? 164 00:07:00,933 --> 00:07:03,400 WELL, THERE'S OBVIOUSLY NOTHING OUT HERE. 165 00:07:06,400 --> 00:07:08,933 WAIT A SECOND, IS THAT SOMEBODY ? 166 00:07:08,967 --> 00:07:10,600 DON'T PULL OVER. 167 00:07:10,633 --> 00:07:11,833 ARE YOU CRAZY ? 168 00:07:11,867 --> 00:07:14,067 WE'RE COMPLETELY LOST HERE. 169 00:07:18,933 --> 00:07:21,467 EXCUSE ME, COULD YOU HELP ME OUT HERE ? 170 00:07:21,500 --> 00:07:24,067 I'M TRYING TO GET TO JAKE'S WAY. 171 00:07:24,067 --> 00:07:26,900 I WAS WONDERING WHAT YOU WERE DOING OUT HERE. 172 00:07:26,933 --> 00:07:29,200 YEAH, I THINK I'M A LITTLE LOST. 173 00:07:29,233 --> 00:07:31,100 I MADE A LEFT AT THE GAS STATION 174 00:07:31,133 --> 00:07:32,867 A COUPLE OF MILES BACK. 175 00:07:32,900 --> 00:07:35,933 LET ME JUST TAKE A LOOK AND I'LL STEER YOU... 176 00:07:35,967 --> 00:07:38,167 LET ME PUT MY GLASSES ON. 177 00:07:38,200 --> 00:07:40,567 I CAN'T SEE A THING WITHOUT MY GLASSES. 178 00:07:43,067 --> 00:07:46,567 NOW, "TAKE LAKESIDE...." 179 00:07:46,600 --> 00:07:48,933 YEAH, I KNOW, I'VE ALREADY DONE THAT. 180 00:07:48,967 --> 00:07:51,167 AND THEN I GOT TO THE GAS STATION. 181 00:07:51,200 --> 00:07:52,467 I MADE A LEFT. 182 00:07:52,500 --> 00:07:54,067 WHO WROTE THIS ? 183 00:07:54,067 --> 00:07:55,567 A FRIEND OF MINE. 184 00:07:55,600 --> 00:07:56,967 IS HE A DOCTOR ? 185 00:07:57,067 --> 00:07:59,200 NO, I KNOW, IT'S HARD TO READ. 186 00:07:59,233 --> 00:08:00,867 TERRIBLE HANDWRITING. 187 00:08:00,900 --> 00:08:02,467 BUT, I CAN MAKE IT OUT. 188 00:08:02,500 --> 00:08:04,500 YOU WERE AT A GAS STATION ? 189 00:08:04,533 --> 00:08:06,133 WHY DIDN'T YOU GO IN THE GAS STATION 190 00:08:06,167 --> 00:08:07,733 AND SAY YOU WERE LOST ? 191 00:08:07,767 --> 00:08:09,267 WELL, I WASN'T LOST THEN. 192 00:08:09,300 --> 00:08:11,067 WELL, YOU DIDN'T KNOW WHERE YOU WERE GOING. 193 00:08:11,067 --> 00:08:12,633 IN MY BOOK, THAT'S LOST. 194 00:08:12,667 --> 00:08:14,267 I WASN'T LOST 'CAUSE I'M SUPPOSED TO 195 00:08:14,300 --> 00:08:16,467 MAKE A LEFT AT THE GAS STATION. 196 00:08:16,500 --> 00:08:18,567 TAKE A L-F-T, LEFT, LEFT, 197 00:08:18,600 --> 00:08:20,667 AT MILLER, YOU'RE ON MILLER. 198 00:08:20,700 --> 00:08:23,167 SO, I WASN'T LOST AT THE GAS STATION. 199 00:08:23,200 --> 00:08:24,833 YOU'RE ON MILLER. 200 00:08:24,867 --> 00:08:26,600 I KNOW, AND I'M LOOKING FOR JAKE'S WAY. 201 00:08:26,633 --> 00:08:28,533 I DON'T KNOW IF I PASSED IT OR IF IT'S UP AHEAD. 202 00:08:28,567 --> 00:08:29,733 JACK'S WAY ? 203 00:08:29,767 --> 00:08:31,533 NO, NO, IT'S JAKE'S WAY. 204 00:08:31,567 --> 00:08:34,433 JAKE'S WAY, I'VE NEVER HEARD OF JAKE'S WAY. 205 00:08:34,467 --> 00:08:36,367 THAT'S FINE, I'LL JUST GET GOING. 206 00:08:36,400 --> 00:08:37,633 NO, IT'S ALRIGHT. 207 00:08:37,667 --> 00:08:39,667 LET'S SEE, JAKE'S WAY. 208 00:08:39,700 --> 00:08:41,800 YOU'VE BEEN VERY HELPFUL, THANK YOU. 209 00:08:41,833 --> 00:08:43,367 THANK YOU, VERY MUCH. 210 00:08:43,400 --> 00:08:45,500 CAN I JUST HAVE THE PAPER BACK, PLEASE ? 211 00:08:45,533 --> 00:08:48,300 PLEASE, DON'T GET SO IMPATIENT, PLEASE. 212 00:08:48,333 --> 00:08:51,133 I'M GETTING A LOT OF HOSTILITY FROM YOU, 213 00:08:51,167 --> 00:08:52,333 YOU KNOW. 214 00:08:52,367 --> 00:08:53,967 THERE'S A FEELING OF ANGER. 215 00:08:54,067 --> 00:08:56,100 NO, THERE'S NO HOSTILITY AT ALL, THERE'S NO ANGER. 216 00:08:56,133 --> 00:08:57,633 CAN I JUST PLEASE HAVE THE PAPER BACK ? 217 00:08:57,667 --> 00:08:58,733 PLEASE ! 218 00:08:59,567 --> 00:09:01,333 YOU SNAP ! 219 00:09:04,967 --> 00:09:07,433 AND I HOPE YOU STAY LOST ! 220 00:09:12,667 --> 00:09:14,933 WELL, THIS WAS A WONDERFUL NIGHT. 221 00:09:14,967 --> 00:09:17,633 I'VE ALWAYS WANTED TO DRIVE AROUND IN THIS AREA FOR, 222 00:09:17,667 --> 00:09:19,300 TWO, THREE HOURS. 223 00:09:19,333 --> 00:09:20,767 IT'S QUITE SCENIC, DON'T YOU THINK ? 224 00:09:20,800 --> 00:09:22,933 AND THEY HAVE SOME VERY COLORFUL CHARACTERS. 225 00:09:22,967 --> 00:09:24,167 UH-HUH. 226 00:09:24,200 --> 00:09:26,233 I ENJOYED BABY JANE A LOT, DIDN'T YOU ? 227 00:09:26,267 --> 00:09:28,233 I'D REALLY JUST LIKE TO GO HOME, LARRY. 228 00:09:28,267 --> 00:09:29,667 I'M TRYING TO GET US HOME. 229 00:09:29,700 --> 00:09:31,067 YOU'RE NOT TRYING HARD ENOUGH. 230 00:09:31,067 --> 00:09:32,533 I DON'T KNOW WHERE WE'RE GOING. 231 00:09:32,567 --> 00:09:34,467 I DON'T HAVE ANY DIRECTIONS. 232 00:09:34,500 --> 00:09:37,600 I THINK A GOOD IDEA IS JUST TO KEEP DRIVING AROUND AND AROUND. 233 00:09:37,633 --> 00:09:40,100 I'M LOOKING FOR THE HIGHWAY AND I DON'T KNOW WHERE IT IS. 234 00:09:40,133 --> 00:09:41,767 WHAT DO YOU WANT ME TO DO ? 235 00:09:41,800 --> 00:09:43,467 WHAT IS THAT ? IS THAT A CAR ? 236 00:09:43,500 --> 00:09:44,567 YEAH. 237 00:09:44,600 --> 00:09:46,867 HEY, I'M GONNA STOP THIS CAR. 238 00:09:46,900 --> 00:09:49,133 I'M GONNA FLAG THE CAR DOWN. 239 00:09:49,167 --> 00:09:50,467 BE CAREFUL. 240 00:09:58,633 --> 00:10:00,100 HI. HEY. 241 00:10:00,133 --> 00:10:01,633 OH, THANKS SO MUCH FOR STOPPING. 242 00:10:01,667 --> 00:10:03,300 MAN, OH, MAN, I'VE BEEN SO LOST. 243 00:10:03,333 --> 00:10:05,167 I'VE BEEN DRIVING AROUND FOR A HALF HOUR HERE. 244 00:10:05,200 --> 00:10:06,833 I'M JUST TRYING TO GET BACK TO 245 00:10:06,867 --> 00:10:08,867 TO THE FREEWAY TO L.A. 246 00:10:08,900 --> 00:10:10,900 YOU DON'T RECOGNIZE ME, DO YOU ? 247 00:10:10,933 --> 00:10:12,067 NO. 248 00:10:12,100 --> 00:10:13,700 ON THE DRIVING RANGE THE OTHER DAY ? 249 00:10:13,733 --> 00:10:15,467 YOU'RE THE GUY FROM THE DRIVING RANGE. 250 00:10:15,500 --> 00:10:17,233 OH ! 251 00:10:17,267 --> 00:10:19,167 I WAS RIGHT BEHIND YOU ON THE RANGE. 252 00:10:19,200 --> 00:10:20,867 OH, RIGHT, RIGHT, WOW ! 253 00:10:20,900 --> 00:10:23,000 AND YOU WOULDN'T HELP ME WITH THE BALL. 254 00:10:23,033 --> 00:10:24,800 THE BALL ? THE RANGE BALL. 255 00:10:24,833 --> 00:10:26,800 IT FELL AND YOU WOULDN'T HELP ME OUT WITH THE BALL. 256 00:10:26,833 --> 00:10:29,167 YOU KNOW WHAT ? MY BACK WAS KILLING ME THAT DAY. 257 00:10:29,200 --> 00:10:30,433 I COULDN'T BEND DOWN. 258 00:10:30,467 --> 00:10:32,967 OH, YOUR BACK... I DIDN'T PICK UP ON THAT, 259 00:10:33,000 --> 00:10:34,633 'CAUSE YOU WERE HITTING THE BALL SO WELL-- 260 00:10:34,667 --> 00:10:36,033 THAT'S TWISTING. 261 00:10:36,067 --> 00:10:37,900 I COULD TWIST, I COULDN'T BEND. 262 00:10:37,933 --> 00:10:39,933 OH, OKAY, RIGHT, TWO DIFFERENT THINGS. 263 00:10:39,967 --> 00:10:41,467 IT'S A BIG DIFFERENCE, REALLY. 264 00:10:41,500 --> 00:10:43,033 OH, MY GOD, YOU MUST HAVE THOUGHT 265 00:10:43,067 --> 00:10:44,533 I WAS SUCH AN ASSHOLE. 266 00:10:44,567 --> 00:10:46,000 WELL, YOU KNOW, I DIDN'T KNOW WHY 267 00:10:46,033 --> 00:10:47,500 YOU WOULDN'T HELP ME WITH THE BALL. 268 00:10:47,533 --> 00:10:49,533 GOD, WHAT KIND OF PRICK DOESN'T PICK UP SOMEBODY'S BALL ? 269 00:10:49,567 --> 00:10:52,233 I THOUGHT YOU COULD HELP OUT A LITTLE BIT, BUT, I UNDERSTAND. 270 00:10:52,267 --> 00:10:53,800 YOU KNOW WHAT ? I WOULD'VE PICKED UP THE BALL IN A SECOND 271 00:10:53,833 --> 00:10:55,167 IF I COULD BEND DOWN. 272 00:10:55,200 --> 00:10:56,733 IT'S YOUR BACK, IT WAS YOUR BACK, RIGHT. 273 00:10:56,767 --> 00:10:57,967 COMPLETELY. 274 00:10:58,000 --> 00:10:59,367 SURE, NO, I UNDERSTAND. 275 00:10:59,400 --> 00:11:00,833 I'M SORRY, I APOLOGIZE. 276 00:11:00,867 --> 00:11:02,167 NO, IT'S OKAY, IT'S ALRIGHT. 277 00:11:02,200 --> 00:11:03,900 WAIT A SECOND, ARE YOU GOING TO GIL'S PARTY ? 278 00:11:03,933 --> 00:11:06,067 YEAH, YOU KNOW GIL ? OH, FROM THE CLUB ! 279 00:11:06,067 --> 00:11:08,067 YEAH, I'M OLD FRIENDS WITH GIL, YEAH. 280 00:11:08,100 --> 00:11:09,700 WE'VE BEEN BUDDIES FOR A LONG TIME. 281 00:11:09,733 --> 00:11:12,167 SO, CAN I FOLLOW YOU OVER THERE ? 282 00:11:12,200 --> 00:11:14,167 SHOULD YOU BE GOING TO THE PARTY WITH YOUR BACK ? 283 00:11:14,200 --> 00:11:16,733 CAN YOU BEND OVER, CAN YOU BEND WITH YOUR BACK ? 284 00:11:16,767 --> 00:11:18,100 YEAH. 285 00:11:18,133 --> 00:11:20,567 THEN MAYBE YOU SHOULD JUST BEND OVER AND KISS MY ASS. 286 00:11:20,600 --> 00:11:23,733 AND MAYBE NEXT TIME YOU'LL REMEMBER TO PICK UP THE FUCKING GOLF BALL. 287 00:11:53,700 --> 00:11:55,700 SO, HOW'D IT GO ? 288 00:11:57,067 --> 00:12:00,133 GOOD, PRETTY GOOD. 289 00:12:02,067 --> 00:12:04,167 PRETTY, PRETTY, 290 00:12:04,200 --> 00:12:07,900 PRETTY, PRETTY GOOD. 291 00:12:11,800 --> 00:12:13,800 ( phone ) 292 00:12:17,333 --> 00:12:19,067 HELLO ? 293 00:12:19,100 --> 00:12:22,067 WE CALLED THREE TIMES. 294 00:12:22,067 --> 00:12:25,733 I HAVE NO IDEA, WE'RE COMPLETELY LOST. 295 00:12:25,767 --> 00:12:27,800 SO, 15 MINUTES... 15 MINUTES... 296 00:12:27,833 --> 00:12:29,200 ONE DRINK. ABSOLUTELY. 297 00:12:29,233 --> 00:12:31,367 IN AND OUT. IN AND OUT, I'M WITH YOU. 298 00:12:31,400 --> 00:12:33,600 I PROMISE, 15 MINUTES. 299 00:12:33,633 --> 00:12:34,833 OKAY. 300 00:12:34,867 --> 00:12:37,500 HOW COME THERE ARE ONLY THREE CARS IN THE DRIVEWAY ? 301 00:12:37,533 --> 00:12:39,667 I DON'T KNOW, IT'S VERY WEIRD. 302 00:12:40,967 --> 00:12:41,933 LARRY ! 303 00:12:41,967 --> 00:12:42,933 HEY, GIL. 304 00:12:42,967 --> 00:12:44,233 HEY, HI, COME ON IN. 305 00:12:44,267 --> 00:12:46,467 OH, HI, GOOD TO MEET YOU. 306 00:12:46,500 --> 00:12:47,767 GOOD TO MEET YOU. 307 00:12:47,800 --> 00:12:48,900 WHAT HAPPENED THERE ? 308 00:12:48,933 --> 00:12:50,400 I TALKED TO YOU 15 MINUTES AGO, 309 00:12:50,433 --> 00:12:52,100 YOU WERE FIVE MINUTES AWAY. 310 00:12:52,133 --> 00:12:54,433 YOU DIDN'T MENTION THAT MILLER TURNS INTO... 311 00:12:54,467 --> 00:12:55,600 JAKE'S WAY, 312 00:12:55,633 --> 00:12:57,867 JAKE'S WAY IS NOT MARKED, THERE'S NO SIGN FOR IT. 313 00:12:57,900 --> 00:13:00,600 YOU MAY HAVE INCLUDED THAT IN THE DIRECTIONS. 314 00:13:00,633 --> 00:13:02,067 THANKS FOR TELLING ME. 315 00:13:02,067 --> 00:13:03,600 CAN I TAKE YOUR JACKET ? 316 00:13:03,633 --> 00:13:04,633 OH, OKAY. 317 00:13:04,667 --> 00:13:05,867 WHERE IS EVERYBODY ? 318 00:13:05,900 --> 00:13:07,733 EVERYBODY'S RIGHT IN THERE, AND CAN I TAKE YOUR COAT ? 319 00:13:07,767 --> 00:13:08,800 NO, NO, THANKS. 320 00:13:08,833 --> 00:13:10,867 AND, IF YOU WOULD TAKE YOUR SHOES OFF. 321 00:13:10,900 --> 00:13:11,867 OKAY. 322 00:13:11,900 --> 00:13:12,900 ( Larry ) REALLY ? 323 00:13:12,933 --> 00:13:14,300 YEAH, JUST TAKE THEM OFF. 324 00:13:14,333 --> 00:13:16,067 IT'S JUST A CUSTOM MY WIFE STARTED IN THE HOUSE. 325 00:13:16,100 --> 00:13:18,200 I THINK I'LL LEAVE MINE ON, IS THAT OKAY ? 326 00:13:18,233 --> 00:13:19,867 THEY'RE COMPLETELY CLEAN. 327 00:13:19,900 --> 00:13:21,367 YEAH, IT'S NOT ABOUT THAT. 328 00:13:21,400 --> 00:13:22,533 LOOK, SEE ? 329 00:13:22,567 --> 00:13:25,600 THAT'S NOT THE POINT, JUST TAKE 'EM OFF. 330 00:13:25,633 --> 00:13:27,167 AH, COME ON. 331 00:13:28,133 --> 00:13:30,433 OKAY, WELL, YOU KNOW WHAT ? 332 00:13:30,467 --> 00:13:32,767 I'LL PUT THIS AWAY, I'LL BE RIGHT BACK. 333 00:13:32,800 --> 00:13:34,767 GO ON IN, JUST GO ON IN. 334 00:13:39,600 --> 00:13:42,067 WHAT'S GOING ON HERE ? 335 00:13:42,067 --> 00:13:44,167 I DON'T KNOW, WHERE IS EVERYBODY ? 336 00:13:47,500 --> 00:13:48,700 WHAT ? 337 00:13:48,733 --> 00:13:51,267 THERE'S PEOPLE EATING DINNER IN THERE. 338 00:13:51,300 --> 00:13:53,667 THIS IS A DINNER PARTY ? 339 00:13:55,067 --> 00:13:57,733 DID HE TELL YOU THIS WAS A DINNER PARTY ? 340 00:13:57,767 --> 00:14:00,167 NO, HE SAID PARTY. 341 00:14:00,200 --> 00:14:01,533 WE JUST ATE. 342 00:14:01,567 --> 00:14:03,767 HE SAID PARTY. 343 00:14:03,800 --> 00:14:05,600 I WOULDN'T GO TO A DINNER PARTY. 344 00:14:05,633 --> 00:14:07,067 HEY, YOU GUYS LOOKING AROUND ? 345 00:14:07,067 --> 00:14:09,833 GREAT PLACE, MY WIFE JOKINGLY REFERS TO IT 346 00:14:09,867 --> 00:14:12,067 AS "THE HOUSE THAT CUM BUILT". 347 00:14:12,067 --> 00:14:14,067 'CAUSE OF MY PORN. 348 00:14:14,100 --> 00:14:16,500 I NEVER MADE ENOUGH MONEY TO BUY A HOUSE. 349 00:14:16,533 --> 00:14:19,767 COME ON IN, THOUGH, I'LL SHOW YOU AROUND LATER. 350 00:14:19,800 --> 00:14:24,467 THAT'S A COLLECTION OF JUST SMALL BOTTLES 351 00:14:24,500 --> 00:14:26,067 AND I LIKE THEM. 352 00:14:26,067 --> 00:14:27,900 IT'S VERY INTERESTING. 353 00:14:27,933 --> 00:14:31,200 THERE NOT AS BIG AS NORMAL. 354 00:14:31,233 --> 00:14:32,833 COME ON IN HERE. 355 00:14:32,867 --> 00:14:34,067 ( Gil ) HEY, EVERYBODY ! 356 00:14:34,100 --> 00:14:35,600 THEY'RE HERE, THEY MADE IT. 357 00:14:35,633 --> 00:14:36,700 ( Larry ) HELLO, HI. 358 00:14:36,733 --> 00:14:40,067 I'M SO SORRY WE'RE LATE, HELLO. 359 00:14:41,167 --> 00:14:43,567 HI CHERYL, NICE TO MEET YOU, I'M MELANIE. 360 00:14:43,600 --> 00:14:45,567 ( Gil ) THAT'S PETER, MY TRAINER... 361 00:14:45,600 --> 00:14:47,067 ... SID AND HIS WIFE. 362 00:14:47,067 --> 00:14:49,100 AND, NEXT TO THEM, BRIAN. 363 00:14:49,133 --> 00:14:50,800 YOU KNOW BRIAN FROM THE CLUB, RIGHT ? 364 00:14:50,833 --> 00:14:52,067 GLAD YOU MADE IT. 365 00:14:52,067 --> 00:14:53,067 THANK YOU. 366 00:14:53,100 --> 00:14:54,867 ( Gil ) NEXT TO HIM IS JACKIE AND PAUL. 367 00:14:54,900 --> 00:14:56,733 HI, I'M CHERYL. 368 00:14:56,767 --> 00:14:59,533 ( chattering ) 369 00:15:01,267 --> 00:15:02,633 SIT DOWN. 370 00:15:02,667 --> 00:15:04,800 OKAY. 371 00:15:04,833 --> 00:15:07,100 HONEY, LARRY IS WEARING HIS SHOES. 372 00:15:07,133 --> 00:15:08,233 I KNOW. 373 00:15:08,267 --> 00:15:09,967 DID YOU TELL HIM IT WAS THE RULE OF THE HOUSE ? 374 00:15:10,067 --> 00:15:11,667 I THINK HE THINKS I WAS JOKING. 375 00:15:11,700 --> 00:15:13,067 HONEY, WHO IS THIS GUY ? 376 00:15:13,067 --> 00:15:14,533 HE COMES TO THE HOUSE AN HOUR LATE, 377 00:15:14,567 --> 00:15:16,467 AND HE'S WEARING HIS SHOES IN MY HOUSE ? 378 00:15:16,500 --> 00:15:18,333 I'LL TELL YOU, WE WAITED, 379 00:15:18,367 --> 00:15:20,133 AND WE WAITED AND WE WAITED. 380 00:15:20,167 --> 00:15:21,133 I KNOW. 381 00:15:21,167 --> 00:15:23,800 AND THEN WE DECIDED WE JUST HAD TO EAT. 382 00:15:23,833 --> 00:15:26,233 LET ME FIX YOU A PLATE. 383 00:15:26,267 --> 00:15:28,067 YOU KNOW WHAT ? WE WERE SO HUNGRY, 384 00:15:28,067 --> 00:15:31,067 THAT WE HAD A BAG OF POTATO CHIPS IN THE CAR... 385 00:15:31,100 --> 00:15:33,367 POTATO CHIPS ON THE WAY TO A DINNER PARTY ? 386 00:15:33,400 --> 00:15:34,733 WHAT'S THAT ? 387 00:15:34,767 --> 00:15:36,633 THAT'S A MANGO-CHUTNEY THAT I MADE 388 00:15:36,667 --> 00:15:38,633 WITH MY OWN HANDS. 389 00:15:38,667 --> 00:15:40,233 I'LL JUST HAVE SOME OF THAT. 390 00:15:40,267 --> 00:15:42,067 FOR, LIKE, A DESSERT THING. 391 00:15:42,067 --> 00:15:43,267 ( male ) WHAT'S IN THAT ? 392 00:15:43,300 --> 00:15:45,067 ( Gil ) THERE'S A LITTLE BIT OF JALAPENO 393 00:15:45,067 --> 00:15:46,967 AND A LITTLE BIT OF TABASCO. 394 00:15:47,067 --> 00:15:50,133 ( female ) TELL US AGAIN ! 395 00:15:50,167 --> 00:15:52,400 NO, C'MON ! 396 00:15:52,433 --> 00:15:54,867 CAN'T I EVER HAVE A NORMAL DINNER PARTY ? 397 00:15:54,900 --> 00:15:57,800 CAN'T WE TALK ABOUT STOCKS ? 398 00:15:57,833 --> 00:15:59,667 CAN I TELL A PORN STORY ? 399 00:15:59,700 --> 00:16:02,433 SHE'S HEARD EVERY ONE OF THEM. 400 00:16:02,467 --> 00:16:03,833 YOU WANNA TELL IT ? 401 00:16:03,867 --> 00:16:06,067 OKAY, YOU KNOW WHAT TABASCO'S GOOD FOR ? 402 00:16:06,100 --> 00:16:07,700 KEEP YOU HARD. 403 00:16:07,733 --> 00:16:08,867 ( male ) REALLY ? 404 00:16:08,900 --> 00:16:10,400 YEAH, ONLY YOU GOTTA, 405 00:16:10,433 --> 00:16:12,067 STICK IT UP YOUR ASS. 406 00:16:12,067 --> 00:16:14,833 NO, I'LL TELL YOU HOW I FOUND OUT ABOUT THAT. 407 00:16:14,867 --> 00:16:18,500 I WAS DOING A SCENE AND IT WAS SUPPOSED TO BE 408 00:16:18,533 --> 00:16:20,467 A TWO GIRL SCENE, RIGHT ? 409 00:16:20,500 --> 00:16:21,833 DO YOU MIND IF I TELL ? 410 00:16:21,867 --> 00:16:23,267 IT'S YOUR HOUSE. 411 00:16:23,300 --> 00:16:25,067 THESE GUYS HAVE HEARD HALF THESE STORIES. 412 00:16:25,067 --> 00:16:26,633 SO, I'M DOING THIS SCENE, 413 00:16:26,667 --> 00:16:28,133 IT'S SUPPOSED TO BE TWO GIRLS. 414 00:16:28,167 --> 00:16:29,967 AND, WE KEEP WAITING FOR THE OTHER GIRL TO SHOW UP. 415 00:16:30,067 --> 00:16:32,800 AND I'M FUCKING THIS GIRL FOR THREE HOURS. 416 00:16:35,733 --> 00:16:38,400 POUNDING, POUNDING, FOR HOURS AND HOURS AND HOURS, 417 00:16:38,433 --> 00:16:41,700 AND THEN ALL OF A SUDDEN, AFTER A COUPLE HOURS, 418 00:16:41,733 --> 00:16:43,833 IT FEELS LIKE SOME CHICK'S TEA-BAGGING ME. 419 00:16:43,867 --> 00:16:44,933 RIGHT ? 420 00:16:44,967 --> 00:16:47,067 YOU SHOULD FILL HER IN ON TEA-BAGGING, THOUGH. 421 00:16:47,067 --> 00:16:49,267 MAYBE YOU DO, MAYBE YOU DON'T. 422 00:16:49,300 --> 00:16:52,067 WHEN A WOMAN SUCKS YOUR BALLS, SHE'S TEA-BAGGING YOU. 423 00:16:52,067 --> 00:16:54,633 BUT, SO I FEEL THAT 424 00:16:54,667 --> 00:16:56,600 AND I THINK THAT OTHER GIRL'S SHOWN UP. 425 00:16:56,633 --> 00:16:58,967 AND, THEN I FEEL HER FINGERS ON MY BALLS. 426 00:16:59,067 --> 00:17:00,400 AND I'M NOT EVEN LOOKING. 427 00:17:00,433 --> 00:17:02,067 I'M JUST SO, I'M HALF ASLEEP. 428 00:17:02,067 --> 00:17:04,067 BUT, I TURNED AROUND, IT'S NOT THE GIRL. 429 00:17:04,100 --> 00:17:07,700 IT IS THE BIGGEST CREW GUY WE GOT 430 00:17:07,733 --> 00:17:11,067 IS PLAYING WITH MY BALLS. 431 00:17:12,333 --> 00:17:14,767 AND MY WOOD STARTS GOING DOWN, YOU KNOW, 432 00:17:14,800 --> 00:17:16,700 AND I HAVEN'T EVEN SHOT YET. 433 00:17:16,733 --> 00:17:19,533 AND I GO, I'M GOING DOWN, I'M GOING DOWN. 434 00:17:19,567 --> 00:17:21,500 AND THIS GUY GOES, "I'LL TAKE CARE OF IT." 435 00:17:21,533 --> 00:17:23,233 HE RUNS OVER TO THE CRAFT SERVICE TABLE, 436 00:17:23,267 --> 00:17:25,867 HE COMES BACK, HIS FINGER IS RED. 437 00:17:25,900 --> 00:17:32,167 STICKS IT UP MY ASS, TABASCO SAUCE ! 438 00:17:32,200 --> 00:17:34,867 AND I STAYED HARD FOR ANOTHER TWO HOURS 439 00:17:34,900 --> 00:17:38,067 BECAUSE ALL THE BLOOD JUST GOES. 440 00:17:38,067 --> 00:17:40,367 I KEEP BEGGING HIM TO LET US USE IT. 441 00:17:40,400 --> 00:17:42,400 I WAS RENOWNED FOR BEING ABLE TO STAY HARD 442 00:17:42,433 --> 00:17:44,133 FOR HOURS. 443 00:17:44,167 --> 00:17:45,733 THAT'S WHAT I COULD DO. 444 00:17:45,767 --> 00:17:47,433 I WASN'T THE BIGGEST, ALRIGHT ? 445 00:17:47,467 --> 00:17:50,667 BUT, I COULD STAY HARD THE LONGEST, SO. 446 00:17:50,700 --> 00:17:52,100 HEY, LARRY, 447 00:17:52,133 --> 00:17:53,833 CAN I SEE THAT WATCH A SECOND ? 448 00:17:53,867 --> 00:17:55,533 WHERE'D YOU GET THAT ? IT'S A BEAUTY. 449 00:17:55,567 --> 00:17:57,733 ANNIVERSARY GIFT. 450 00:17:57,767 --> 00:17:59,533 CAN I SEE THAT ? 451 00:17:59,567 --> 00:18:01,700 OH, THAT IS REALLY SWEET. 452 00:18:01,733 --> 00:18:05,367 OKAY, EVERYONE, LET'S HAVE A LITTLE DESSERT. 453 00:18:05,400 --> 00:18:07,167 EVERYONE, PLEASE, IN THE OTHER ROOM. 454 00:18:07,200 --> 00:18:09,133 BRING YOUR GLASSES, BUT LEAVE YOUR PLATES. 455 00:18:09,167 --> 00:18:10,667 DO NOT TOUCH YOUR PLATES. 456 00:18:10,700 --> 00:18:13,067 ( male ) THAT WAS GREAT, MEL, THANK YOU. 457 00:18:13,067 --> 00:18:15,433 ( Mel ) THANK YOU. 458 00:18:22,100 --> 00:18:24,367 I WANT TO GO HOME NOW. 459 00:18:24,400 --> 00:18:28,267 MAYBE WE CAN STOP AND PICK UP SOME TABASCO. 460 00:18:28,300 --> 00:18:30,233 DO YOU THINK THIS IS FUNNY, LARRY ? 461 00:18:30,267 --> 00:18:32,067 'CAUSE I DON'T THINK YOU'RE FUNNY. 462 00:18:32,067 --> 00:18:33,633 I DON'T THINK THIS IS FUNNY. 463 00:18:33,667 --> 00:18:36,533 AND, I DON'T CARE WHAT YOU TELL THESE PEOPLE, WE NEED TO GO. 464 00:18:36,567 --> 00:18:37,967 OKAY. 465 00:18:38,067 --> 00:18:40,067 ( Gil ) SIT DOWN. 466 00:18:41,567 --> 00:18:44,100 ALRIGHT, I'LL TELL THEM WE'RE LEAVING. 467 00:18:44,133 --> 00:18:46,333 YEAH, AND I NEED MY COAT AND MY PURSE. 468 00:18:46,367 --> 00:18:48,200 OKAY. OKAY. 469 00:19:01,367 --> 00:19:03,467 OOH, MY BACK. 470 00:19:04,567 --> 00:19:06,400 OH, SHIT ! 471 00:19:06,433 --> 00:19:08,667 OH, I'M SO SORRY ! 472 00:19:08,700 --> 00:19:11,633 EVERYONE SIT DOWN, THERE'S GLASS ON THE FLOOR ! 473 00:19:11,667 --> 00:19:12,933 NO ONE MOVE ! 474 00:19:12,967 --> 00:19:15,200 I'M SO SORRY, SHIT ! 475 00:19:15,233 --> 00:19:17,133 BUT, IT DOESN'T REALLY AFFECT YOU, DOES IT LARRY ? 476 00:19:17,167 --> 00:19:18,533 THE GLASS ON THE FLOOR. 477 00:19:18,567 --> 00:19:20,767 NO, BECAUSE YOU'RE WEARING YOUR FUCKING SHOES IN MY HOUSE ! 478 00:19:20,800 --> 00:19:23,067 WHEN YOU WALK THROUGH MY DOOR, YOU PLAY BY MY RULES ! 479 00:19:23,067 --> 00:19:25,400 YOU TAKE OFF YOUR FUCKING SHOES ! 480 00:19:25,433 --> 00:19:27,233 YOU AND YOUR FUCKING LITTLE SOCCER SHOES 481 00:19:27,267 --> 00:19:28,867 IN MY HOUSE ! 482 00:19:28,900 --> 00:19:31,267 MY FEET HAVE A TENDENCY 483 00:19:31,300 --> 00:19:33,667 TO GET A LITTLE CHILLY WHEN I TAKE MY-- 484 00:19:33,700 --> 00:19:34,833 GIL ! 485 00:19:34,867 --> 00:19:36,600 GET THE COATS ! 486 00:19:36,633 --> 00:19:39,067 THE COATS ARE PROBABLY A GOOD IDEA. 487 00:19:39,067 --> 00:19:40,833 I WOULD THINK. 488 00:19:40,867 --> 00:19:42,600 HE'S A PSYCHOTIC, GET HIM OUT OF THE HOUSE ! 489 00:19:42,633 --> 00:19:45,200 YEAH, WE'RE GONNA GET MOSEYING. 490 00:19:45,233 --> 00:19:46,700 MOSEYING TIME ? 491 00:19:46,733 --> 00:19:47,900 YEAH. 492 00:19:47,933 --> 00:19:49,767 HEY, HERE YOU GO, CHERYL. 493 00:19:49,800 --> 00:19:51,833 HONEY, YOU OKAY ? 494 00:19:51,867 --> 00:19:53,600 MAYBE IT IS BEST IF YOU JUST GO NOW. 495 00:19:53,633 --> 00:19:55,500 YOU KNOW WHAT ? I THINK IT IS, I THINK IT PROBABLY IS. 496 00:19:55,533 --> 00:19:57,633 LET ME PAY FOR THE LAMP, OKAY ? 497 00:19:57,667 --> 00:19:59,167 YOU KNOW WHAT ? THAT'S NOT IMPORTANT. 498 00:19:59,200 --> 00:20:00,633 OH, COME ON, I'LL PAY FOR THE LAMP. 499 00:20:00,667 --> 00:20:02,833 I DON'T EVEN KNOW IF BRIAN HAS ANOTHER IN HIS SHOP. 500 00:20:02,867 --> 00:20:05,533 I DON'T KNOW, THEY'RE REALLY HARD TO GET. 501 00:20:05,567 --> 00:20:08,767 ( Gil ) IT WAS RARE, WE GOT IT IN BRIAN'S SHOP. 502 00:20:08,800 --> 00:20:11,500 MAYBE I HAVE ONE MORE, I'LL HAVE TO LOOK. 503 00:20:11,533 --> 00:20:13,633 OKAY, OKAY, WE'RE GONNA TAKE OFF. 504 00:20:13,667 --> 00:20:15,933 NICE TO MEET YOU. 505 00:20:15,967 --> 00:20:18,000 NICE TO MEET YOU TOO. 506 00:20:18,033 --> 00:20:19,533 GOODBYE. 507 00:20:19,567 --> 00:20:22,200 BYE, CHERYL, NICE MEETING YOU. 508 00:20:27,533 --> 00:20:29,900 SO, WHAT'S THE LEVEL OF ANGER HERE ? 509 00:20:29,933 --> 00:20:31,967 WHAT AM I DEALING WITH ? 510 00:20:32,000 --> 00:20:37,033 WELL, I'D SAY AT LEAST AN 8.7. 511 00:20:37,067 --> 00:20:39,733 8.7 ? THAT'S NOT THAT BAD. 512 00:20:39,767 --> 00:20:41,033 NO ? 513 00:20:41,067 --> 00:20:42,900 I THOUGHT IT WOULD BE, LIKE, A NINE, 8.7 ? 514 00:20:42,933 --> 00:20:44,867 NO, IT WAS, IT WAS UP HIGHER. 515 00:20:44,900 --> 00:20:46,633 YEAH, AND THEN YOU BROKE THAT LAMP 516 00:20:46,667 --> 00:20:49,167 AND THAT CRAZY WOMAN SCREAMED AT YOU. 517 00:20:49,200 --> 00:20:51,267 AND IT GOT YOU SOME PITY POINTS. 518 00:20:51,300 --> 00:20:53,300 PITY POINTS ? FABULOUS ! 519 00:20:53,333 --> 00:20:54,800 I LOVE PITY POINTS. 520 00:20:54,833 --> 00:20:56,233 YEAH. 521 00:20:56,267 --> 00:20:57,933 ANY WAY TO GET TO A SEVEN ? 522 00:20:57,967 --> 00:20:59,267 I DON'T KNOW. 523 00:20:59,300 --> 00:21:01,167 I KNOW I CAN'T GET TO A SIX, THAT'S OUT OF THE QUESTION. 524 00:21:01,200 --> 00:21:04,067 WE COULD HAVE A VERY DECENT RIDE HOME WITH A SEVEN. 525 00:21:04,067 --> 00:21:05,067 YOU THINK SO ? 526 00:21:05,067 --> 00:21:06,400 YES, I DO. 527 00:21:06,433 --> 00:21:09,133 AND IF WE RIDE HOME AS A SEVEN, AS SOON AS WE GET HOME, 528 00:21:09,167 --> 00:21:11,133 YOU CAN GO RIGHT BACK TO AN EIGHT. 529 00:21:11,167 --> 00:21:13,167 ALRIGHT, IT'S A DEAL. 530 00:21:13,200 --> 00:21:14,400 IT'S A DEAL ? 531 00:21:14,433 --> 00:21:16,367 YEAH, AS LONG AS I CAN GO BACK. 532 00:21:16,400 --> 00:21:17,433 BEAUTIFUL. 533 00:21:17,467 --> 00:21:19,633 COME ON, WE'LL GO HOME. 534 00:21:23,367 --> 00:21:24,600 OH... 535 00:21:24,633 --> 00:21:25,733 WHAT ? 536 00:21:29,133 --> 00:21:30,833 OH, MY GOD. 537 00:21:30,867 --> 00:21:31,967 WHAT ? 538 00:21:32,067 --> 00:21:33,533 REMEMBER THAT TRAINER, 539 00:21:33,567 --> 00:21:36,367 WHO ASKED TO LOOK AT MY WATCH ? 540 00:21:36,400 --> 00:21:38,067 HE NEVER GAVE IT BACK. 541 00:21:38,100 --> 00:21:40,100 GO BACK THERE AND GET IT. 542 00:21:40,133 --> 00:21:41,267 OH, NO, COME ON. 543 00:21:41,300 --> 00:21:43,300 DON'T SEND ME BACK THERE, PLEASE ? 544 00:21:43,333 --> 00:21:45,067 WE'RE RIGHT HERE, JUST GO BACK IN. 545 00:21:45,100 --> 00:21:46,667 I DON'T WANT TO DO A DOUBLE GOODBYE. 546 00:21:46,700 --> 00:21:48,300 I'VE ALREADY SAID GOODBYE 547 00:21:48,333 --> 00:21:49,933 UNDER THE WORST POSSIBLE CIRCUMSTANCES. 548 00:21:49,967 --> 00:21:51,700 NOW YOU WANT ME TO GO IN AND DO THE DOUBLE GOODBYE ? 549 00:21:51,733 --> 00:21:52,867 YEAH, I DO. 550 00:21:52,900 --> 00:21:55,933 LARRY, I GAVE THAT TO YOU AS AN ANNIVERSARY GIFT. 551 00:21:55,967 --> 00:21:57,667 WELL, I'LL CALL GIL AND HE'LL HAVE THE TRAINER 552 00:21:57,700 --> 00:21:59,300 SEND IT TO HIM OR SOMETHING. 553 00:21:59,333 --> 00:22:01,433 THAT IS IDIOTIC, WE'RE HERE, JUST GO BACK IN. 554 00:22:01,467 --> 00:22:02,800 IT'LL TAKE THREE MINUTES. 555 00:22:02,833 --> 00:22:04,233 IT'S SO AWKWARD, THOUGH. 556 00:22:04,267 --> 00:22:05,700 I'M NOT LEAVING HERE WITHOUT THE WATCH. 557 00:22:05,733 --> 00:22:07,700 THIS IS STUPID, JUST GO. 558 00:22:09,167 --> 00:22:11,400 I GOTTA TAKE MY SHOES OFF NOW. 559 00:22:23,633 --> 00:22:25,267 HEY, LARRY. WHAT'S GOING ON ? 560 00:22:25,300 --> 00:22:28,067 I THINK YOUR TRAINER HAS MY WATCH. 561 00:22:28,067 --> 00:22:29,633 HE DOES ? 562 00:22:29,667 --> 00:22:31,067 EXCUSE ME. 563 00:22:31,067 --> 00:22:32,667 DO YOU HAVE MY WATCH, BY ANY CHANCE ? 564 00:22:32,700 --> 00:22:35,533 OH, YOU KNOW WHAT ? I DO. 565 00:22:36,667 --> 00:22:38,733 YEAH, GO ON. 566 00:22:38,767 --> 00:22:40,700 ALSO, I'M GONNA NEED DIRECTIONS 567 00:22:40,733 --> 00:22:42,267 TO GET BACK TO THE FREEWAY. 568 00:22:42,300 --> 00:22:45,100 OKAY, I'LL GO GET YOU ANOTHER COPY, SURE. 569 00:22:46,367 --> 00:22:48,467 OH, GEEZ, LOOK AT THIS. 570 00:22:48,500 --> 00:22:50,067 WHAT A MESS. 571 00:22:50,100 --> 00:22:51,833 SORRY. 572 00:22:51,867 --> 00:22:53,867 THAT'S OKAY, NO PROBLEM. 573 00:22:53,900 --> 00:22:55,233 WELL, BYE. 574 00:22:55,267 --> 00:22:57,267 SEE YOU AT THE STORE. 575 00:22:57,300 --> 00:22:58,800 YEAH, SO LONG. 576 00:22:58,833 --> 00:23:01,067 NICE TO MEET YOU, OKAY. 577 00:23:06,533 --> 00:23:08,733 HERE YOU GO, THESE ARE GOOD. 578 00:23:08,767 --> 00:23:12,067 AND JUST WATCH FOR THE BARN. 579 00:23:12,100 --> 00:23:13,433 THE BARN ? 580 00:23:13,467 --> 00:23:15,067 YOU GOTTA TAKE A RIGHT AT THE BARN. 581 00:23:15,100 --> 00:23:16,933 RIGHT AT THE BARN, OKAY, THANK YOU. 582 00:23:16,967 --> 00:23:18,433 ALRIGHT, TAKE CARE, GOODBYE. 583 00:23:18,467 --> 00:23:19,900 SAY GOODBYE EVERYONE. 584 00:23:19,933 --> 00:23:21,467 GOODBYE. 585 00:23:29,900 --> 00:23:31,633 YOU ALRIGHT ? 586 00:23:31,667 --> 00:23:33,067 NO, IT WAS AN ACCIDENT. 587 00:23:33,100 --> 00:23:34,667 SOUNDED LIKE YOU KNOCKED. 588 00:23:34,700 --> 00:23:35,700 NO. 589 00:23:35,733 --> 00:23:37,233 OKAY. 590 00:23:39,167 --> 00:23:41,533 IS THAT A BARN ? 591 00:23:43,567 --> 00:23:45,367 IS THAT A BARN ? 592 00:23:45,400 --> 00:23:47,700 I THINK IT WAS TOO SMALL FOR A BARN. 593 00:23:47,733 --> 00:23:50,733 IT LOOKED MORE LIKE A STABLE. 594 00:23:50,767 --> 00:23:53,200 THERE WAS A COW THERE, DOES THAT MEAN, WHAT ? 595 00:23:53,233 --> 00:23:55,467 THAT IT COULD HAVE BEEN A BARN ? 596 00:23:55,500 --> 00:23:57,633 THERE'S NO COWS IN BARNS. 597 00:23:57,667 --> 00:23:59,767 THERE ARE COWS ON A FARM. 598 00:23:59,800 --> 00:24:02,267 ARE THERE ALWAYS BARNS ON FARMS ? 599 00:24:02,300 --> 00:24:04,533 THERE'S STABLES ON FARMS, RIGHT ? 600 00:24:04,567 --> 00:24:06,600 NOT NECESSARILY BARNS. 601 00:24:06,633 --> 00:24:08,767 I DON'T THINK THAT WAS THE BARN. 602 00:24:08,800 --> 00:24:12,333 I THINK WE MADE THE WRONG TURN. 603 00:24:40,800 --> 00:24:42,933 ( alarm beeping ) 604 00:24:47,733 --> 00:24:49,500 ( beeping stops ) 605 00:25:05,067 --> 00:25:07,067 ( Jeff ) GO UP TO MY BEDROOM. 606 00:25:07,067 --> 00:25:08,933 TO THE LEFT OF THE TV. THERE'S A CABINET, 607 00:25:08,967 --> 00:25:10,867 BY THE BOOKCASE THERE. 608 00:25:10,900 --> 00:25:12,800 OPEN IT UP AND MOVE THE LINENS. 609 00:25:12,833 --> 00:25:14,533 THERE'S LINENS IN THERE, MOVE 'EM TO THE SIDE. 610 00:25:14,567 --> 00:25:16,300 PUSH ON THE BACK DOOR. 611 00:25:16,333 --> 00:25:18,900 INSIDE THERE, I HAVE, LIKE, MY PORN COLLECTION. 612 00:25:56,833 --> 00:25:58,600 ( female ) Who is it ? 613 00:25:58,633 --> 00:26:00,900 Hotel security, ma'am, open up. 614 00:26:00,933 --> 00:26:02,667 Thank God you're here. 615 00:26:05,933 --> 00:26:07,767 There's a prowler outside. 616 00:26:07,800 --> 00:26:09,233 I'm really, really scared. 617 00:26:09,267 --> 00:26:10,667 I can hear noises. 618 00:26:10,700 --> 00:26:12,967 Take it easy, take it easy, sit down. 619 00:26:13,067 --> 00:26:15,500 Listen, we've had some reports of prowlers in the area. 620 00:26:15,533 --> 00:26:16,800 ( glass breaking ) 621 00:26:16,833 --> 00:26:18,333 What the hell was that ? 622 00:26:18,367 --> 00:26:20,067 Come out of there with your hands out. 623 00:26:20,100 --> 00:26:21,400 Put your hands out ! 624 00:26:21,433 --> 00:26:23,600 ( female ) It's okay, it's my girlfriend. 625 00:26:23,633 --> 00:26:26,100 Looks pretty safe, I'm gonna go back to the hotel. 626 00:26:26,133 --> 00:26:28,067 No, no, you can't leave, you can't leave us. 627 00:26:28,067 --> 00:26:29,867 But, there's other people. 628 00:26:29,900 --> 00:26:31,300 There's a prowler outside. 629 00:26:31,333 --> 00:26:32,533 You can't leave us. 630 00:26:32,567 --> 00:26:37,667 Alright, oh, yeah, yeah... 631 00:26:37,700 --> 00:26:40,600 Come on ! 632 00:26:40,633 --> 00:26:42,567 ( moaning ) 633 00:26:49,133 --> 00:26:51,167 Yeah, you called security, 634 00:26:51,200 --> 00:26:53,600 You got it. 635 00:26:54,433 --> 00:26:56,067 ( loud moaning ) 636 00:26:57,567 --> 00:26:59,333 OH, MY GOD ! 637 00:27:00,233 --> 00:27:01,933 HI ! 638 00:27:03,900 --> 00:27:05,867 THAT'S A FRIEND OF MINE. 639 00:27:05,900 --> 00:27:08,167 GIL THILANDER. 640 00:27:08,200 --> 00:27:10,267 I HAD DINNER AT HIS HOUSE, 641 00:27:10,300 --> 00:27:12,133 YESTERDAY. 642 00:27:12,167 --> 00:27:14,067 ( Gil ) You like that ? 643 00:27:14,067 --> 00:27:17,267 CAPTIONS COPYRIGHT 2000 HOME BOX OFFICE 644 00:27:17,300 --> 00:27:20,867 A DIVISION OF TIME WARNER ENTERTAINMENT COMPANY, L.P. 645 00:27:20,900 --> 00:27:23,667 Captioned by HBO COMMUNICATIONS CENTER